The recent convergence of literary and historical theory has made literary history one of the most exciting fields in the humanities. New frameworks for understanding literature and its relation to history have emerged. The cultural conditions of creating texts as well as the textual production of cultural meaning are now important aspects of literary history.
This book, the first major reassessment of literary history in nineteenth-century India for a generation, opens up this emerging field of literary history of nineteenth-century India. Its essays emphasize the making of literary history, the process of canonization, the reinvention of literary tradition, and the writing of literary history itself. A central premise of the book is that when European literary cultures arrives in India, they came into contact with popular performance forms and complex literary cultures that had their own histories.
The essays also reach beyond the obvious genres and include little-known texts, situating them within a wider debate about national origins, linguistic identities, and political entitlements.
Spanning a range of topics - print culture and oral tales, drama and gender, library use and publishing history, theatre and audiences, detective fiction and low-caste novels - this book will appeal to historians, cultural theorists, sociologists, and all interested in understanding the multiplicity of India's cultural traditions and literary histories.
About the Author:
Stuart Blackburn is Senior Lecturer in the Department of South Asian Languages and Cultures, School of Oriental and African Studies (SOAS), London. He is the author of several books, most recently Moral Fictions: Tamil Folktales from Oral Traditions (2001) and Print, Folklore and Nationalism in Colonial South India (2003). He is currently directing a five-year research project on cultural change in Arunachal Pradesh, India.
Vasudha Dalmia is Professor of Hindi at the University of California, Berkeley. She is the author of The Nationalization of Hindu Traditions: Bharatendu Harishchandra in Nineteenth-century Benares (1998).
| Acknowledgements | viii | |
| Notes on Contributors | ix | |
| 1 | Stuart Blackburn and Vasudha Dalmia Introduction | 1 |
| 2 | Indira Viswanathan Peterson Between Print and Performance The Tamil Christian Poems of Vedanayaka Sastri and the Literary Cultures of Nineteenth-century South India | 25 |
| 3 | Kathryn Hansen Language, Community and the Theatrical Public Linguistic Pluralism and Change in the Nineteenth-century Parsi Theatre | 60 |
| 4 | Anuradha Kapur Impersonation, Narration, Desire, and the Parsi Theatre | 87 |
| 5 | Stuart Blackburn The Burden of Authenticity Printed Oral Tales in Tamil Literary History | 119 |
| 6 | Velcheru Narayana Rao Print and Prose Pandits, Karanams, and the East India Company in the Making of Modern Telugu | 146 |
| 7 | Christina Oesterheld Entertainment and Reform Urdu Narrative Genres in the Nineteenth Century | 167 |
| 8 | Kumkum Sangari Multiple Temporalities, Unsettled Boundaries, Trickster Women Reading a Nineteenth-century Qissa | 213 |
| 9 | Ulrike Stark Hindi Publishing in the Heart of an Indo-Persian Cultural Metropolis Lucknow's Newal Kishore Press (1858-1895) | 251 |
| 10 | Priya Joshi Reading in the Public Eye The Circulation of British Fiction in Indian Libraries, c. 1835-1901 | 280 |
| 11 | Svati Joshi Dalpatram and the Nature of Literary Shifts in Nineteenth-century Ahmedabad | 327 |
| 12 | Hans Herder The Modern Babu and the Metropolis Reassessing Early Bengali Narrative Prose (1821-1862) | 358 |
| 13 | Vasudha Dalmia Generic Questions Bharatendu Harischandra and Women's Issues | 402 |
| 14 | Francesca Orsini Detective Novels A Commercial Genre in Nineteenth-century North India | 435 |
| 15 | Dilip M. Menon A Place Elsewhere Lower-caste Malayalam Novels of the Nineteenth Century | 483 |
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The recent convergence of literary and historical theory has made literary history one of the most exciting fields in the humanities. New frameworks for understanding literature and its relation to history have emerged. The cultural conditions of creating texts as well as the textual production of cultural meaning are now important aspects of literary history.
This book, the first major reassessment of literary history in nineteenth-century India for a generation, opens up this emerging field of literary history of nineteenth-century India. Its essays emphasize the making of literary history, the process of canonization, the reinvention of literary tradition, and the writing of literary history itself. A central premise of the book is that when European literary cultures arrives in India, they came into contact with popular performance forms and complex literary cultures that had their own histories.
The essays also reach beyond the obvious genres and include little-known texts, situating them within a wider debate about national origins, linguistic identities, and political entitlements.
Spanning a range of topics - print culture and oral tales, drama and gender, library use and publishing history, theatre and audiences, detective fiction and low-caste novels - this book will appeal to historians, cultural theorists, sociologists, and all interested in understanding the multiplicity of India's cultural traditions and literary histories.
About the Author:
Stuart Blackburn is Senior Lecturer in the Department of South Asian Languages and Cultures, School of Oriental and African Studies (SOAS), London. He is the author of several books, most recently Moral Fictions: Tamil Folktales from Oral Traditions (2001) and Print, Folklore and Nationalism in Colonial South India (2003). He is currently directing a five-year research project on cultural change in Arunachal Pradesh, India.
Vasudha Dalmia is Professor of Hindi at the University of California, Berkeley. She is the author of The Nationalization of Hindu Traditions: Bharatendu Harishchandra in Nineteenth-century Benares (1998).
| Acknowledgements | viii | |
| Notes on Contributors | ix | |
| 1 | Stuart Blackburn and Vasudha Dalmia Introduction | 1 |
| 2 | Indira Viswanathan Peterson Between Print and Performance The Tamil Christian Poems of Vedanayaka Sastri and the Literary Cultures of Nineteenth-century South India | 25 |
| 3 | Kathryn Hansen Language, Community and the Theatrical Public Linguistic Pluralism and Change in the Nineteenth-century Parsi Theatre | 60 |
| 4 | Anuradha Kapur Impersonation, Narration, Desire, and the Parsi Theatre | 87 |
| 5 | Stuart Blackburn The Burden of Authenticity Printed Oral Tales in Tamil Literary History | 119 |
| 6 | Velcheru Narayana Rao Print and Prose Pandits, Karanams, and the East India Company in the Making of Modern Telugu | 146 |
| 7 | Christina Oesterheld Entertainment and Reform Urdu Narrative Genres in the Nineteenth Century | 167 |
| 8 | Kumkum Sangari Multiple Temporalities, Unsettled Boundaries, Trickster Women Reading a Nineteenth-century Qissa | 213 |
| 9 | Ulrike Stark Hindi Publishing in the Heart of an Indo-Persian Cultural Metropolis Lucknow's Newal Kishore Press (1858-1895) | 251 |
| 10 | Priya Joshi Reading in the Public Eye The Circulation of British Fiction in Indian Libraries, c. 1835-1901 | 280 |
| 11 | Svati Joshi Dalpatram and the Nature of Literary Shifts in Nineteenth-century Ahmedabad | 327 |
| 12 | Hans Herder The Modern Babu and the Metropolis Reassessing Early Bengali Narrative Prose (1821-1862) | 358 |
| 13 | Vasudha Dalmia Generic Questions Bharatendu Harischandra and Women's Issues | 402 |
| 14 | Francesca Orsini Detective Novels A Commercial Genre in Nineteenth-century North India | 435 |
| 15 | Dilip M. Menon A Place Elsewhere Lower-caste Malayalam Novels of the Nineteenth Century | 483 |
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