He is seated in the perfect padmasana, heels gathered together directly below the navel, the knees and ischial tuberosity tripod set firmly on the ground beneath oneself. Note how the vibrant gold of the tigerskin loincloth contrasts sharply against His ashen blue complexion. With six of His eight hands - ashtabhujadhari or eight-armed Deva - He holds pots of nectar that He pours over Himself and the most ardent of His devotees. The same high-precision brushstrokes of His dark kesha (locks) have gone into the snakes that raise their hoods about His body. The lotus beneath His asana (mat), as well as the infusion of multiple shades and tints of blue in the background, add to the tranquil aura of Lord Maharityunjaya.
The dominant inscription on these prayer shawls is that of the holy aum syllable. Within that one point of japa lies the entirety of Indian itihasa and vedas. The same is to be found across almost all the shawls, accompanied by sacred motifs such as the blazing sun on the white one, the paduka on the purple one, the Vaishnavite peacock plumage on the brown one, and the Shaivite trishool (trident) on the azure one. No matter the nature of your devotion, these prayer shawls will be a valuable addition to your wardrobe.
Surya, known as the Sun, is the focus of this amethyst pendant. Made of sterling silver and centred with an amethyst pendant, this pendant measures at 1 inch in height and 0.5 inch in width, weighing 3.5 grams. To complete the necklace, add a chain for a full set. The chain is available in three different lengths, measuring between 16 to 20 inches long. Similar to the pendant, the chain is also made of high quality sterling silver which is rust-resistant. As the smaller version of this pendant, it is perfect for customers who prefer a more understated look, yet does not compromise on beauty and aura.
All jewelry items sourced by Exotic India Art are one of a kind. Very often, these designs come in limited quantities. As we know there is never enough jewelry for our customers, we are always on the lookout for high quality, trending pieces, and list them here on the website soonest. We cannot guarantee that we will be able to find a similar piece after it is sold out. If you are still hesitating, quickly decide before you regret and kick yourself later. Don't say we didn't warn you. "
These dancers are accompanied by four musicians who play a bewitching music that entrances them. With splendid instruments like didgeridoo, bongo drum, drum and clarinet, the musicians passionately recreate their wonders every time onlookers cast their eyes over them. Two of the men in middle are adorned in crème white jamas and complimenting turbans whilst the bongo drummer is enveloped in a large dusty baby blue as he curls up on the ground. A sleek and strong figured man peeks as he is clothed in a breathtaking green jama while he plays didgeridoo with a glamorous stubble that hitches the spectators' breath.
This painting is tinted in spectacular and vibrant colors as it displays the concept of ecstasy and elation, never failing to cast a spell on the onlookers. The splendid concept is gorgeously stroked in fabulous paint slashes, making it a must buy for all those who love multicolor artistic marvels.
Indulge in the timeless allure of the Uppada Sari from Bangalore, a flaming masterpiece that holds a revered place in Indian bridal wear. The rich, fiery hue is a symbol of tradition and heritage, embodying the essence of auspicious beginnings.
Adorning this silken drape are exquisite Zari-woven circular bootis, each a work of art in itself. The intricate brocade floral motifs infuse beauty and auspiciousness into the fabric. Complementing this elegance is the classic broad golden border, crafting a timeless piece that wraps you in luxury. The Uppada Sari is not just attire; it's a statement of grace, heritage, and enduring beauty.
An androgynous number with no astrological overtones, the colour palette is almost singularly monotone. The pristine silver of the body of the ring matches the silvery surface of the shell embedded thereon. It is a simple unassuming accessory that you may team with a wide variety of ensembles and colours, for formal occasions and casual gatherings alike.
The elements that surround His central figure typically belong to the traditional thangka tradition. A solid-coloured halo, through which swishes the great tail of the Lord. An oval-shaped aureole, serrated from the centre outwards. Note the curvaceous motifs that are painted along its edge. An imposing vine with vibrant leaves and flowers grows to one side of the aureole, while dense undergrowth, the kind that are to be found in the mid-reaches of the Himalayas, defines the rest of the frame. Each of these aspects are decidedly thangka in style, and add to the divine presence of Lord Hanuman in this composition.
The dusk of the background is permeated by the rays of the luminous moon, a fine red lining setting off its glow. Note the numerous stars studded in the heavens that shine in homage to the glamour of Lord Hanuman.
The same is superimposed with a carefully designed print in rich gold and green colours. The motifs are miniscule and intricate. Zoom in on the tapering bust, the long loose sleeves, and the length of the kameez in order to appreciate the work. Note the luxuriant dupatta and the boat-shaped neckline. The style is distinctly medieval and Mughal, making for an appeal that is regal and superbly feminine.
A preeminently Vedic motif, the kalasha is integral to Jain dharma as well as Indian art and architecture of as early as the 5th century. Symbolically, it contains amrta (the elixir of life) and bestows immortality as well as the wisdom required to sustain it. Not only is it a liturgical element, but it is also found in abundance in Indian iconography - say, in one or two of the hands of the trinity or any of the devis. This finely finished, thick-mouthed pitcher would be a valuable addition to your ritual implements.
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