The guilty milkmaids are right at the door, listening in on the amorous spat. They are vexed - the language of their bodies convey a certain anxiety surrounding what is going on between the lovers. Upon a cushioned, red-coloured bed sits Lord Krishna, imploring for His lover to not resist Him. From the vines on the pillars on either side of their chamber and the gold-topped domes of the palace that houses it, to the solid red backdrop, each ancillary aspect of this composition has a subtle yet unmistakable romance about it.
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