It is indisputable that Lord Hanuman is the brightest shining jewel in the necklace of Ramayana characters. He has been painted against the stretched cotton fabric canvas characteristic of Indian folk paintings. The technique employed is called batik, the procedure for which involves repeated waxing and dyeing to aid the composition. From the pronounced jawline to the superlative musculature of His form, from the indispensable goad to the large tail flourishing behind Him, this is a painting of the Lord in His full glory. He is minimally clothed as befits a yogi, with His haloed crown and shringar in place. The statement red-and-yellow colour palette exudes a sense of power and stability that complements the aura of the deity in question.
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