It is not likely that her younger counterpart is her equal in form. The elder daughter-in-law is an olive-skinned beauty, set off by the shimmering gold-bordered pink of the lehenga she has chosen for the occasion. Her eyes are a soft brown and large, their expression somewhat withdrawn. It is the raised brow and the subtly pursed mouth that betray the goings-on of her heart. It is the norm in large Indian families to fawn over the latest addition by marriage to the clan, in terms that could be either exalting or demeaning and even both. It is the attention being bestowed upon her that is making the subject of this painting a tad out of place. Perhaps she will take it out on her when they are engaged in domestic tasks together, by chiding her on some excusable pretext but also by helping her make herself at home.