Standing Chaturbhujadharini Devi Lakshmi Exuding Maternal Warmth And Compassion

$95
An ornate silhouette of the standing Devi Lakshmi. She is dressed in a silken dhoti and blouse with a world of sashes descending down either side of Her. The chaturbhujadharini (the one possessed of four arms) wields springs of lotus buds in Her posterior hands, a signature element of Her iconography. Upon an unusual lotus pedestal She stands, the petals blooming forth from a quadrilateral mound engraved with lotus petals.

Note the delicate lines and proportions with which the form and figure of Devi Lakshmi have been executed. Long, curvaceous limbs and the hips jutting gently sideways. The sharp recesses of the waist and the fecund curves above. Supple arms, those skilfully distinguished digits. A fine neck and the compassionate features of a face brimming with maternal warmth. Each aspect of the Devi composition has been executed with great skill, such that a lifelike quality pervades the same.

An interestingly monotone composition, this work of art is in keeping with the traditional pattachitra style of Orissa. The signature ivory cream colour of the tussar silk canvas has been superimposed with finely executed black lines. There is a world of nuance to the Devi chhavi (image) such as the embroidery on Her attire, the workmanship of Her crown, and the creases in the petals of all the lotuses in the chitra (painting).

Item Code: PY73
Artist: Rabi Behera
Specifications:
Orissa's Paata Painting Water Color on Tussar Silk Rabi Behera
Dimensions 5 inch X 10.8 inch
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
100% Made in India
100% Made in India
Fair trade
Fair trade

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.
Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.
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2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.
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3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.
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4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.
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