21" Dakshinamurthy Shiva | Madhuchista Vidhana (Lost-Wax) | Panchaloha Bronze from Swamimalai

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Attain spiritual wisdom with our Jatadhara Dakshinamurthy Shiva sculpture, meticulously crafted through Madhuchista Vidhanam in Swamimalai's Panchaloha Bronze. This masterpiece beautifully portrays Lord Shiva as the divine teacher, imparting knowledge to his disciples. Lord Shiva is worshipped as the Ultimate Teacher of yoga, wisdom, and even music in his Dakshinamurthy form. When He manifests as Sri Dakshinamurthy, the vast resources of wisdom found in the Shastras become accessible. It is said that Sri Dakshinamurthy imparts knowledge through para vak, a heavenly speech form that dwells in the depths of stillness and is inaudible to human ears.

 

The teachings of Sri Dakshinamurthy, who expresses the actual meaning of Brahmaan naturally, may be understood without using ordinary terms. In this statue, he is depicted sitting, his right leg extended downward, and he rests on a dwarf-like demon (apasmara, which symbolizes ignorance and darkness). He is seated on a surface covered in tiger or deer skin. His right knee or thigh is resting on his bent left foot. The sculpture embodies the Hindu philosophical concept of 'Divine Wisdom,' symbolizing the source of all knowledge and cosmic intelligence. The lost-wax technique details Dakshinamurthy's serene countenance, inviting you to contemplate the profound teachings and embrace the path of spiritual enlightenment.

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Item Code: PHC402
Specifications:
Bronze
Dimensions 21 inch Height X 13 inch Width X 17 inch Depth
Weight: 30 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide

Shiva’s divine manifestation is not simply of one as the great wandering ascetic or the celestial destroyer of the cosmos – but also as of the supreme guru, the lord of gnosis, the Jnana Dakshinamurthi. This ‘panchaloha’ bronze image, monumentally conceived by the skilled ‘sthapati,’ enthrones this form of Shiva in the heroic ‘lalitasana’ on a mountainous pedestal. In fact, Shiva’s head is symbolic of the summit of Mount Kailasha, his abode, and in this presentation, the axis mundi of the cosmos. The Dakshinamurthy’s stylisation as an erect figure is further symbolic of the bark of the tree under which Shiva imparts his knowledge – Shiva’s image in this manner is literally of one that supports growth and prosperity.

Dakshinamurthi designates Shiva as the ‘Lord Who Faces South;’ moreover, the word ‘dakshina’ signifies the gift of respect and reverence that the pupils provide their gurus with. The pupils here – four sages seated at the base of the idol, are flanking the figure of Apasmara, the demon of ignorance that Shiva is using as a footstool for his pendent leg (Apasmara’s vanquishment comes from the Nataraja mythology of Shiva). The Dakshinamurthi’s indisputable command over gnosis is manifested with his various divine attributes: in the ‘vyakhyanamudra’ of imparting knowledge, Shiva is holding a rosary in the raised hand that performs the ‘abhaya mudra,’ while his other hands clutch onto the Vedas, the ‘damru,’ and a flame symbolising the eternal fire. Shiva’s matted hair, cascading downwards relates to the legend of the river goddess Ganga residing and flowing from his head. A five-headed snake is hooded over the figure of Shiva. The Dakshinamurthi image’s attention to inornate dressing alludes to the strict austerity Shiva upon the dissemination of gnosis.

Hindu mythology has deliberated upon several aspects of Shiva as the Dakshinamurthi – including the form of the lord of music or Vinadhara Dakshinamurthi, and the supreme teacher of yoga or Yoga Dakshinamurthi. The Dakshinamurthi Upanishada details that throughout such forms, Shiva is said to have been understood as representing the supreme being, or ‘paramatman.’

Eternal Brilliance Unveiled: The Mystique of Panchaloha Bronze and Artful Maintenance Rituals

 

Bronze is a metal alloy that has the primary composition of Copper and Tin. There is also an addition of other metals such as Manganese, Aluminium, Nickel, and some non-metals such as Phosphorus. This composition of several metals and non-metals makes Bronze an extremely durable and strong metal alloy. It is for this reason that Bronze is extensively used for casting sculptures and statues. Since Bronze has a low melting point, it usually tends to fill in the finest details of a mould and when it cools down, it shrinks a little that makes it easier to separate from the mould.

" If you happen to have a bronze statue, simply use a cotton cloth with some coconut oil or any other natural oil to clean the statue. "

 

A village named Swamimalai in South India is especially known for exceptionally well-crafted Bronze icons of Hindu Gods and Goddesses. The skilled artisans of this place use Panchaloha Bronze for casting the icons. Panchaloha Bronze is made of five metals; Copper, Zinc, Lead, and small quantities of Gold and Silver. Zinc gives a golden hue to the finished figure and Lead makes the alloy softer for the easy application of a chisel and hammer. The common technique for producing these statues and sculptures is the “Lost-wax” method. Because of the high durability of bronze sculptures and statues, less maintenance is required, and can still last up to many decades.

Exotic India takes great pride in its collection of hand-picked Panchaloha Statues. You will find the murtis of Gods (Krishna, Hanuman, Narasimha, Ganesha, Nataraja, and Kartikeya) and Goddesses (Saraswati, Lakshmi, Durga, and Parvati), and Buddha statues. You can also buy Ritual paraphernalia (Wicks lamp, Puja Kalash, Cymbals, and Puja Flag) on the website. All these statues and items have been made with a lot of care and attention, giving them a flawless finish. Their fine carving detail represents the rich tradition of India.


Sculpting Dreams in Metal: The Enigmatic Alchemy of Panchaloha Bronze Masterpieces

Bronze statues and sculptures are known for their exquisite beauty and the divinity that they emit all around the space. Bronze is considered an excellent metal alloy, composed primarily of copper and tin. Many properties make it suitable for sculpting even the most intricate and complex structures. There was a period in history, known as the “Bronze Age'', in which most sculptors preferred to work with Bronze as it was considered the hardest metal. Bronze is especially appreciated for its durability, ductility, and corrosion-resistance properties. India is especially known for its elegant workmanship of skills working with Bronze. The artisans of a town named Swamimalai in South India have been following a tradition of bronze murti making for ages. They use a special material known as Panchaloha bronze to make fascinating icons of Hindu Gods and Goddesses. All of us are allured by the beauty of bronze statues and sculptures but there goes a tough hand in casting those masterpieces with little or no imperfections. Since it is an extremely elaborate process, a sculptor needs to be highly skilled in making bronze antiques. The most common technique for casting bronze sculptures that has been followed since ancient times is the “Lost-wax” process which involves many steps:

1. Clay model making

The making of a bronze statue or sculpture starts with preparing a full-sized clay (usually Plasticine) model of the sculpture. This allows the artist to have an idea about the overall shape and form of the desired sculpture before working with bronze, a much more expensive and difficult-to-work-with material.
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2. Mould making

Once the clay model is ready, a mould of the original sculpture is made. This is done by carefully covering the clay model with plaster strips. This step is carried out in such a way that no air bubbles are formed. It takes up to 24 hours for the plaster to dry. Once dried, the plaster is then gently removed from the clay model. The removal happens easily because the inner mould is usually made of materials such as polyurethane rubber or silicone.
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3. Wax filling and removal

In this step, molten bronze or wax is poured or filled into the mould in such a way that it gets even into the finest details. The mould is then turned upside down and left to cool and harden. When the wax has hardened, it is removed from the mould.
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4. Chasing

Chasing is the process in which the artist refines the surface of the bronze statue using various tools to achieve fine details. This smoothens the surface and gives the statue a finished look. If some parts of the statue were moulded separately, they are now heated and attached.
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5. Applying a patina

Bronze sculptures are known for their unique look or sheen on the surface. This may take several years to achieve naturally. Applying patina to bronze sculptures is an important step to make them appear attractive. Working with clay, plaster mould, and molten wax can be messy and therefore sculptors wear old clothes and remain careful. The entire process of making a bronze statue takes several months to complete. Bronze sculptures last for many centuries because of the high durability of the material. Many centuries down the line, these sculptures continue to be appreciated for their majestic beauty.
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Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Panchaloha bronze statues are made through a process of lost wax casting, hence they are solid. To know more about how bronze statues are made, please read our article on Panchaloha Bronze Statues. Whereas, brass statues are made through a process of clay casting, hence are hollow.
  • Q. Can I see the original photo of the product ?
    A. For original pictures of the statue, kindly email us at [email protected].
  • Q. Can I return the statue ?
    A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, a new bronze statue has to be made. To know more, kindly email us at [email protected].
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