30" Large Size Nataraja Brass Sculpture | Statue of Dancing Shiva | Handmade | Made in India

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No art tradition, medium, or human imagination, has ever conceived and created a form, anywhere in the world, that precedes, succeeds or is similar to Nataraja form. Not merely a piece with such rare skill as this one, even a routine Nataraja sculpture, a metal cast, wood-carving or any, reveals the force, agility, or act hardly ever seen in visual art forms. This attributes to Nataraja images a distinction that no other image form can claim.

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Item Code: ZAA96
Specifications:
Brass Statue
Height: 30.5 inch
Width: 20 inch
Depth: 7.5 inch
Weight: 20.90 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide

An example of rare skill, just a single leg and that too bent at sixty degree angle holds the entire weight and volume of a figure quite tall and wide and full of movement with various parts passionately gesticulated and flung into space with great force. Besides, it does not have a level base under it but just an uneven back of a tiny humanized figure identified in Nataraja iconography as Apasamarapurusha – the demon of inertia.


The movement of the left leg raised almost at hundred-twenty degree angle, all four arms thrown into space with great force and locks of hair waving straight and unsupported, could be simply unmanageable but for the great skill of the artist. Usually Nataraja icons have around them a strong ‘prabhavali’ – fire-arch, consisting of flames of fire, that besides framing and supporting the image has significant symbolic dimensions. This image does not have even a fire-arch around, and the entire figure stands unsupported all parts just mutually balanced.


Full of divine lustre the image of Lord Shiva, mythically conceived and realistically cast, with its right leg placed on the figure of Apasamarapurusha, and left, turned to the right and shot into space, has been installed on a lotus pedestal. On figure’s face enshrines a divine bearing and in the anatomy – unfurling locks of hair and various body parts, the ecstasy of dance. Though all four arms of the figure are gesticulated corresponding to moves of dance, each also has a role, different from other, as also different significance.


The upper right hand is holding a ‘damaru’ – double drum, the source of ‘nada’ – sound, in Nataraja iconography, cosmic sound, the upper left, the flame of fire symbolic of divine energy that Tandava generates, the lower right reveals the gesture of ’abhaya’ – redeeming from fear assuring that creation would follow dissolution, and the lower left, the gesture of dissolution. Excellent anatomical proportions, well-defined features, elaborate ornamentation with most distinctive forms of various bands, especially those on arms and belly and an elaborately crested crown define the image of the great Lord.


Nataraja – king of ‘natas’, stage-performers to include dance, Natesh – the supreme ‘nata’, and Nratya-Dakshina-murti – the most accomplished dancer, are epithets of Shiva, the ever first master of dance. Dance was Shiva’s divine act he used to destroy as also to delight, his mode of creation; he created in delight and through it. The tradition classified his dance for dissolution as ‘Tandava’, more often as ‘Ananda-Tandava’ for he performed it with divine rapture knowing that creation was awaiting to succeed and emerge. His dance to delight has been classified as ‘lasya’, the dance that revealed great aesthetic beauty, though no regular form has been attributed to it.


More popular in South and most powerfully sculpted or cast by South Indian artists/artisans Nataraja iconography is often attributed to South as one of Shiva forms in South Indian tradition and the distinction of South Indian artists; however, whatever their source Nataraja statues of Shiva, not so much as a votive image but for its rare form and aesthetic beauty, beautify chambers of millions of art-lovers world over beyond sectarian line.


This description by Prof. P.C. Jain and Dr Daljeet. Prof. Jain specializes on the aesthetics of ancient Indian literature. Dr Daljeet is the chief curator of the Visual Arts Gallery at the National Museum of India, New Delhi. They have both collaborated on numerous books on Indian art and culture.


The Art and Symbolism of Nataraja: Unraveling the Mysteries of Lord Shiva's Cosmic Dance

Lord Shiva appears in the form of Nataraja to perform his divine act of Cosmic dance (Tandava). The word Nataraja denotes 'The King of Dance'. Natya means “dance” and Raja means “king”. The Nataraja form symbolizes the destruction of the universe. The Lord performs Rudra Tandava to destroy the illusion, an evil residing within the hearts of the living beings. The destruction is the end of the cycle of birth and death, and the beginning of spiritual enlightenment of the individual souls misguided by Maya (illusion).

Lord Nataraja wears a serpent coiled around his neck. He holds 'Agni' (fire) in his posterior left hand which signifies the energetic vibrations for the destruction of the world. His anterior left hand takes the shape of Gajahasta (Elephant hand) or Dandahasta, showering his blessings upon his devotees, and extends towards his left leg. There is a snake wrapped in his anterior right arm that represents 'Abhaya' (without any fear). His posterior right hand is carrying a musical instrument 'Damroo', which represents time and rhythm. His whirling hair stands out as a fan behind his head as he performs the divine cosmic dance He is surrounded by a fiery ring 'Prabha Mandala' that represents the material world, full of suffering and pain. Thus, this form of Lord shiva ultimately depicts the destruction of the ignorance of all the spirit souls, showing them the path to liberation.
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What is special about Nataraja?

Nataraja is considered one of the highest forms of Lord Shiva in which he performs the functions of creation, maintenance, and destruction of this material world. Shaivites worship this form of Shiva and take blessings from him to remove all obstacles in their devotional life. His three eyes symbolize an equilibrium of the three modes of material nature namely sattva (mode of goodness), rajas (mode of passion), and tamas (mode of ignorance). The special purpose of his Tandava (transcendental dance) is to release the conditioned souls of this material world from the clutches of Maya which is the external energy of the Supreme Lord Vishnu or Krishna.
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Who is under the feet of Nataraja?

Lord Nataraja stands on a lotus pedestal placing his right foot on the dwarf demon named Apasmara. This demon represents spiritual ignorance and nonsensical speech. According to the Vedic scriptures, ignorance is the greatest enemy and obstacle on the path of self-realization. To preserve knowledge in the world, Apasmara must be subdued to bring about spiritual knowledge or transcendental wisdom. For this purpose, Lord Shiva assumed the form of Nataraja and with his rhythmic movements, he placed his foot on the demon Apasmara and crushed him to death. Thus, signifying that whoever takes the shelter of Nataraja, is freed from ignorance and has his doors open for spiritual advancement.
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Can we keep Nataraja statue at home?

Many people believe that the statue of Nataraja should not be kept and worshiped at home because this form of Lord Shiva is associated with ultimate destruction. They believe that it will only bring about auspiciousness in their lives. However, as discussed earlier, Nataraja's Tandava dance has a deeper meaning. It is the celebration of the destruction of ignorance in the path of self-realization which is in fact the victory of good over evil. Thus, one can surely keep the statue in their home.

How to keep a Brass statue well-maintained?


Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.

 

Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.

 

  • The best and simplest way to maintain a brass statue is to clean it at least twice a week using a soft cloth or cotton rag. This will prevent dust from accumulating on the surface. Dusting is especially important for outdoor statues since it is prone to dust accumulation much more than indoors.

 

 

  • To give a natural shine and luster to the statue, you may apply coconut or olive oil using cotton on every portion. You can use a toothbrush to get to the small crevices but do not be too harsh. This will make the brass statue appear fresh and new with a polished look.


  • In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth. 

 

Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity. 

Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I see the original photo of the product ?
    A. For original pictures of the statue, kindly email us at [email protected].
  • Q. Can I return the statue ?
    A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at [email protected].
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