Chola
Chola
Red Chola
Red Chola

21" Buddha Steeped In Meditation Upon A Blooming Lotus In Brass | Handmade | Made In India

$1360
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Chola
Chola
Red Chola
Red Chola
Color
Quantity
Delivery Ships in 1-3 days
Item Code: ZDN71
Specifications:
Brass Statue
Dimensions 1.9 ft X 1.9 ft X 1.2 ft
Weight: 17.80 kg
1.9 ft X 1.9 ft X 1.2 ft
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide

This excellent statue of Lord Buddha absorbed in deep meditation is unparalleled in its quality, elegance, stylistic versatility and spiritual fervour. It is cast in brass but is so well anodized to create copper effect that only an expert eye would detect that it is not copper. The spiritual fervour that this Buddha image is endowed with, is a divine phenomenon, which characteristic Buddhist images inherited from a long prevailed tradition of spiritual thought. In these images, as also in this one, there reveals the real face of the Buddha, the supreme spiritual being. One school of Buddhist thought claims that the Buddha's images inherited this spiritual character from Lord Buddha himself, as once, when in his absence king Udayana commissioned his image and showed it to him on his return, the great Master preached how a Buddha image be sculpted. The other school does not accept that the Buddha's images came into being in the Buddha's lifetime. However, it far more expressly acclaimed that an image of the Master was expected to depict him beyond mere physical features 'the picture that is not in colours'. What decisively influenced Buddha's iconography and realism of his images is the total ethos of Buddhism. It perceives Buddha the Enlightened one, as Dharma-kaya, law-incarnate, and not as jeeva-kaya, physical being. Obviously, the class Buddha images, as this one exemplifies, are the representation of Dharma-kaya Buddha and not of mere physicality.

Lord Buddha, the founder of the Buddhism and one of the few great universal teachers the history has ever produced, is seated with his legs crossing each other and feet and palms turned upwards. Lotus petals-like tender and crimson feet and palms of Buddha have the appearance of a semi-sprouted lotus. Hence, in spiritual iconography, this sitting posture has been conventionalised as padmasana. In Buddhist and Jain iconography padmasana corresponds to meditation, as the padmasana images of Lord Buddha, and those of Jain Tirthankaras, essentially represent them as absorbed in meditation. In Jain iconography, the meditating Tirthankaras are rendered also in khadagasana, standing posture, but standing images of Buddha, though they have meditative demeanour, are not seen as revealing meditation. The oval shaped lotus base further enhances the effect that padmasana posture creates.

This padmasana image, facial demeanour and half-shut eyes, represent him as deeply engrossed in inner dialogue  seeking answers to questions relating self and cosmos. In Buddhist iconographic classification, this posture of Buddha in dhyana, meditation, is seen as the Dhyani Buddha, and comprises one of the essential five classes of the Buddha's sanctum images, the other ones being Buddha in bhumisparsha-mudra, in Dharmapravartana-mudra, as the universal teacher and the Buddha's nirvana. Buddha in meditation depicts his pre-Enlightenment stage, when seated in padmasana under a Banyan tree near village Uruvila around river Nairanjana he descended deep within him and discovered the light and was the Enlightened One. The first three of these postures are seated, fourth standing and fifth reclining.

This metal cast is a unique blend of styles. It borrows its basic model from the early Indian tradition, costume from Nalanda, facial features from Sarnath, coiffure from Mathura and over-all grandeur from Tibetan images. Serenity and divine composure enshrining its face aptly define the Buddha in his divine bearings. The intrinsic aspect is so strong that forms seem to swell from within. The image is as powerful in modeling and plasticity. The contours flow from shoulders to feet in smooth and uninterrupted measures. It is so well balanced between spiritual and sensual, and strength and grace.

This description by Prof. P.C. Jain and Dr. Daljeet. Prof. Jain specializes on the aesthetics of literature and is the author of numerous books on Indian art and culture. Dr. Daljeet is the curator of the Miniature Painting Gallery, National Museum, New Delhi. They have both collaborated together on a number of books.

Click Here to view an enlarged image of the reverse of the Statue


Free Shipping. Delivered by to all international destinations within 3 to 5 days, fully insured.


How to keep a Brass statue well-maintained?


Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.

 

Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.

 

  • The best and simplest way to maintain a brass statue is to clean it at least twice a week using a soft cloth or cotton rag. This will prevent dust from accumulating on the surface. Dusting is especially important for outdoor statues since it is prone to dust accumulation much more than indoors.

 

 

  • To give a natural shine and luster to the statue, you may apply coconut or olive oil using cotton on every portion. You can use a toothbrush to get to the small crevices but do not be too harsh. This will make the brass statue appear fresh and new with a polished look.


  • In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth. 

 

Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity. 

Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I see the original photo of the product ?
    A. For original pictures of the statue, kindly email us at [email protected].
  • Q. Can I return the statue ?
    A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at [email protected].
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