Jaya Somanath - The Story of Epic Heroism and Transcendental Love of a Temple Dancer

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Kanaiyalal Maneklal Munshi was a man of great versatility and unique achievements. He was an eminent lawyer, and (a seasoned statesman) one of the framers of India's Constitution. Coming under the inspiring influence of Sri Aurobindo during his student days, Munshi fought ardently for India's freedom. He worked in close association with Jinnah, Tilak, Besant, Mahatma Gandhi, Sardar Patel and Pandit Nehru. His achievements as Home Minister of Bombay in 1937, India's Agent-General in Hyderabad before the Police Action, India's Food Minister and as Governor of Uttar Pradesh, were characterized by rare courage and decisive energy.

Acknowledged during his lifetime as the foremost writer in modern Gujarati literature, his literary output was vast and varied and included novels, dramas, memoirs and historical books in Gujarati. He also wrote several historical and other works in English, notably Gujarat and Its Literature, Imperial Gujaras, Bhagavad Gita and Modern Life, Creative Art of Life, To Badrinath, Saga of Indian Sculpture, The End of An Era, Bhagawan Parashurama, Tapasvini and Prithvi Vallabh.

Jaya Somanath deals with the story of the epic heroism of Bheemdev and the transcendental love of the temple dancer Chaula, for the brave warrior and was originally written in Gujarati by Munshiji. The entire novel, as translated into English by Shri H. M. Patel, I.C.S. (Retd.), was serialised in the Bhavan's Journal. The novel is now being brought out in book form for the benefit of wide readership.

The Bharatiya Vidya Bhavan—that Institute of Indian Culture in Bombay—needed a Book University, a series of books which, if read, would serve the purpose of providing higher education. Particular emphasis, however, was to be put on such literature as revealed the deeper impulsions of India. As a first step, it was decided to bring out in English 100 books, 50 of which were to be taken in hand, almost at once.

It is our intention to publish the books we select, not only in English but also in the following Indian languages: Hindi, Bengali, Gujarati, Marathi, Tamil, Telugu, Kannada and Malayalam.

This scheme, involving the publication of 900 volumes, requires ample funds and an all-India organisation. The Bhavan is exerting its utmost to supply them. The objectives for which the Bhavan stands are the reintegration of Indian culture in the light of modern knowledge and to suit our present-day needs and the resuscitation of its fundamental values in their pristine vigour.

Let me make our goal more explicit:

We seek the dignity of man, which necessarily implies the creation of social conditions which would allow him freedom to evolve along the lines of his own temperament and capacities; we seek the harmony of individual efforts and social relations, not in any makeshift way, but within the framework of the Moral Order; we seek the creative art of life, by the alchemy of which human limitations are progressively transmuted, so that man may become the instrument of God, and is able to see Him in all and all in Him.

The world, we feel, is too much with us. Nothing would uplift or inspire us so much as the beauty and aspiration which such books can teach.

In this series, therefore, the literature of India, ancient and modern, will be published in a form easily accessible to all. Books in other literatures of the world, if they illustrate the principles we stand for, will also be included.

This common pool of literature, it is hoped, will enable the reader, eastern or western, to understand and appreciate currents of world thought, as also the movements of the mind in India, which though they flow through different linguistic channels, have a common urge and aspiration. Fittingly, the Book University's first venture is the Mahabharata, summarised by one of the greatest living Indians, C. Rajagopalachari; the second work is on a section of it, the Gita, by H. V. Divatia, an eminent jurist and a student of philosophy. Centuries ago, it was proclaimed of the Mahabharata: "What is not in it, is nowhere." After twenty-five centuries, we can use the same words about it. He who knows it not, knows not the heights and depths of the soul; he misses the trials and tragedy and the beauty and grandeur of life.

The Mahabharata is not a mere epic: it is a romance, telling the tale of heroic men and women and of some who were divine; it is a whole literature in itself, containing a code of life, a philosophy of social and ethical relations, and speculative thought on human problems that is hard to rival: but, above all, it has for its core the Gita, which is, as the world is beginning to find out, the noblest of scriptures and the grandest of sagas in which the climax is reached in the wondrous Apocalypse in the Eleventh Canto.

Through such books alone the harmonies underlying true culture, I am convinced, will one day reconcile the disorders of modern life.

I thank all those who have helped to make this new branch of the Bhavan's activity successful.