Koochipoodi enjoys prominence as one of India's major classical dance styles. The process of its evolution from a group tradition to the solo form has been marked by significant events, some of which took place around the period of India's Independence. Koochipoodi's journey to the 21st century makes for a fascinating tudy. This book closely follows the journey and poks at the inter-relationship between Koochipoodi and its co-existent traditions. Through her well-researched work, the author seeks to familiarize the reader with various features of Koochipoodi while providing additional information about little known aspects of this tradition. She examines the nature of various contributions made to it as also its adaptation to individual artistic expression. Rather than present a compilation of specific details about the several gifted Koochipoodi exponents down the generations, she describes the blossoming of this form in their hands. A number of photographers have been involved with the preparation of much of the pictorial material featured in this book. Around 100 sumptuous photographs (173 in colour and 21 in black and white) have been included, most of which will be seen for the first time in a book. One more innovative and useful feature is the mention of the period or dates on which the photographs have been taken. This adds interest to the book.
It is significant that one of the luminaries of Koochipoodi dance makes her debut as an author with this publication.
The World of Koochipoodi Dance is perhaps one of the first books of this kind by a leading dancer on this subject.
Swapnasundari finds creative expression in Koochipoodi, Bharatha Natyam, Vilasini Natyam, vocal music, choreography, music composition, teaching, writing and a host of related artistic activity. After a professional debut at the age of 15, she made significan artistic strides and was recognised as a torch bearer amongst the generation of Indian classical dancers born in Post Independence India. While making successive contributions to her field she continued to earn acclaim for her performances at national and international fora. She has extended the frontiers of understanding of Andhra's dance traditions by bringing to centrestage, the less known Koochipoodi and with pioneering work in the nearly obsolete temple and court dance traditions of Andhra which she has revitalized and recast as Vilasini Natyam. Her proficiency in music, understanding of poetry and literature, multi-lingual abilities and keen intellect are reflected both in performances and choreography.
Swapnasundari is the founder-director of Kuchipudi Dance Centre Delhi.
The only present day exponent to keep alive the practise of combining dance with singing and dialogues, she is also the first and only dancer to produce compact dises and audio cassettes of Koochipoodi music. In a significan acknowledgement of her scholarship and accomplishments, she has been honoured with the "Pratibha Puraskaaram by the Pott Sreeraamulu Telugu University, Hyderabad. Sho is a recipient of the Central Sangeet Natal Akademi Award. Swapnasundari is the on solo female danseuse and teacher of Koochipoodi as well as its youngest exponen who is decorated with the prestigious honou of Padma Bhushan which she received from the President of India in the year 2003.
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