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Goddess Durga Patachitra

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Goddess Durga and her legends of slaying entire armies of Asuras (demons) to protect the gods, sages and humans are a popular theme in Hindu religious tradition, which runs like the life-blood, across the different Indian states, uniting them with the thread of devotion for the Mahamaya- Durga. In this awe-inspiring goddess Durga Pattachitra, Devi is visualized as the most enchanting woman and the most potent warrior in the entire universe. The paradoxical mystique of her beauty and ferociousness has been marvelously captured in this Pattachitra painting which is covered with vibrant shades that speak of the rich cultural tradition of Orissa.

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Item Code:	WRB112
Artist:	Rabi Behera
Specifications:	Paata painting from OrissaARTIST:RABI BEHERA
Dimensions	18 inch Height X 12 inch Width
Weight:	300 gm

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Within a deep blue border painted over with beautiful floral vines, goddess Durga manifests as the supreme protector of Srishti (creation), as a divine warrior par excellence. Her valiant stance, aggressive and dynamic positioning of her weapons, her powerful gaze, her mount lion beside her, and the sheer sense of dread conveyed by the enemy that lies underneath her feet combine to create an impactful visual representation of the great-goddess Durga in this Pattachitra.

The use of a muted background has added to the dramatics of the presence of Maa Durga in this Pattachitra painting of the goddess, who draped in a deep red saree and blue blouse, adorned with exquisite ornaments and an imposing royal crown emanates the fabled qualities of great warriors.

The rocks below the demon-enemy have located this goddess Durga Pattachitra painting in a strange and challenging terrain, regions where the feeble hearted cannot dwell, but Simha- Vahini (one who rides the lion) - Maa Durga has made her eternal abode.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.