Lively Pink Hued Ganesha

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We all know the value and importance of Lord Ganesha in Hinduism. His presence spreads an aura of happiness, love, devotion and fearlessness. It is said that by worshipping Lord Ganesha before the start of any ceremony, all the unseen hurdles are vanished for a peaceful path. Focussing on this colorful pattachitra art, Rabi Behera has beautifully painted all the iconic features of this Orissan folk art style; depicting the mythological figurine of Lord Ganesha standing in a lively dance posture with the head turned sideways as a part of his happy-to-go dance routine.

Pattachitra art holds a special importance in Orissa and West Bengal as it highlights the variation and beauty of their rich culture. Done on a gauze-like fine cotton canvas using natural colors and the entire background is filled with creative motifs and designs. The pink color of Ganesha is a rare depiction that induces a sense of positivity and brightness; painted with a portly belly and posterior hands holding his iconic weapons and the right anterior hands holds his broken tusk as a gesture of his dedication for work while the left anterior hands is postured in an elegant dance mudra.

Adore the beauty of the background filled in with flower motifs that complements with his elegant lotus eyes and the richly decorated multicolored garbs. The rich gold and bead jewels and the designer crown embellished over his body enhance the divinity and luxury of Lord Ganesha. The smoky grey shade of Ganesha’s vahana, mooshak contrasts amazingly with the leafy outer frame of the border. Hanging this painting on any light shade wall, will highlight the beauty of this Ganesha pattachitra art.

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Item Code:	PZ37
Artist:	Rabi Behera
Specifications:	Water Color Painting on Patti Folk Art From The Temple Town Puri (Orissa)Artist: Rabi Behera
Dimensions	10.2 inches x 16.2 inches

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Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.

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