The term Rama-durbar refers to the court (durbar) of Lord Rama. When He ascended to the throne of Ayodhya post vanavasa, He was surrounded by each of His three faithful brothers, Bharata, Shatrughna, and Lakshmana, with none other than Hanuman at His feet. Without the sacred Seeta next to Him, the durbar of Rama remains incomplete.
To the right of the seated King is a group of wise men, devoted advisers in the durbar. In the foreground are the joyous residents of Ayodhya who love their King to no end, a band of performers to celebrate His reign, and of course the vanara-sena that had been of great service to Rama. Five templetops glow against the clear blue skies in the background.
Framed in teakwood, this Tanjore painting features extensive gesso work. Gold inlay work, characteristic of Tanjore art, is to be found almost everywhere across the canvas: the garments of Rama, the bejewelled crowns on the heads of everybody, and especially the ornate templetops. Note the Kirtimukham motif carved into each of them at the front.
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