16" Dancing Radha Krishna Brass Statue | Spiritual Home Decor

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Cast of finest brass, rare in finish and quality of image, this statue, a magnificent example of packing into a tough medium the fluidity of a rivulet and the pace of winds, represents Radha and Krishna engaged in dance. Fully absorbed Krishna is playing on his flute letting his form twist to its melody, float on it, or submerge.


The divine ecstasy that the melody of his flute generates vibrates also Radha’s figure and it moves as moves Krishna’s in absolute harmony and with equal zeal. A strange and delightful parallelism, Radha’s entire figure and every member: legs, hips, belly, breasts, shoulders, arms, head …, bends, curves, or moves exactly as moves Krishna’s corresponding part.


Essentially a dance-mode, the figures of both Radha and Krishna, moved to create rhythm, are curved a little more than a ‘dvi-bhang’ – the two-curved posture, and a little less than ‘tri-bhang’ – the three-curved. The same as Krishna’s, Radha’s right leg, along with right hip, is thrown to further right and the foot is set flat on the pedestal. Her left leg, like Krishna’s, is differently poised. With toe laid on the pedestal and heel raised the foot is upwards lifted.

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Item Code: XZ47
Specifications:
Brass Statue
Height: 16 inch
Width: 8.7 inch
Depth: 6.2 inch
Weight: 9.25 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide

Along the knee the left leg has a forward thrust and the leg’s upper part along the hip or waist is pushed to right. Exactly parallel to Krishna’s, Radha’s figure from the waist to shoulders, to include belly and breast-part, is bent to left, her sensuously moulded left breast almost completely thrown out. The heads of both, and the Krishna’s crown, and the Radha’s coiffure, are tilted to right.


Though a simple geometry : one figure moving along the other in harmonious moves of dance, the artist seems to discover in their figural dimensions a cosmic parallelism. The universe : matter and its enlivening self that Radha symbolises, seeks all its stretches, of mind or physique, in the mood, mode, twists, curves, thrust and every movement of Krishna, the Supreme Being whose reflection the universe is.


Overwhelmed by the melody that emits from Krishna’s flute the feet or rather the entire beings of both, Krishna himself and Radha, in great ecstasy and spontaneously, move to dance. Gentle and contained, not boisterous or even exuberant but delighting, in their moves reveal divine grace and great aesthetic beauty. The pace of dance-moves manifests in the contours of Radha’s skirt that winds like a lotus leaf that surges with ripples of water it floats on.


Drawn like a bow Radha’s sash, her upwards raised left hand with fingers attuned to the melody emitting from Krishna’s flute, gesture of her right hand, gently twisted belly and well swelled breasts, the form of her hair and her emotional bearing : a face glowing with ecstatic delight, eyes shut in absorption and arched eyebrows, all reveal the ecstasy of dance.


Radha’s figure has been elaborately bejeweled using beautifully and exclusively designed ornaments : large ‘kundalas’ – ear-ornaments, armlets, a wide range of necklaces, sensuously conceived breast-band and a beautiful girdle with a brooch designed like the peacock feather.


The dance, its absorption, ecstasy and delight, manifests as powerfully in Krishna’s form as in Radha’s, though with his hands engaged in playing on flute the ‘bhava’ – emotion, such as Radha’s figure reveals in the gesture of her hands, does not reveal in Krishna’s body-moves. He has been represented as wearing a splendid tall Vaishnava crown.


In a delightful deviation from the established tradition , unlike the crown of Lord Vishnu in his proto form, this crown of Krishna is crested with a pair of peacock feathers and with the crescent form atop. Peacock feather is his own motif, but crescent, Shiva’s, maybe, included for a wider acceptance or to portray the divine breadth of Krishna’s being.


He has a Vaishnava ‘tilaka’ mark on his forehead but has not been represented as putting on Vaijayanti, the garland of Parijat flowers, one of the most characteristic attributes of Lord Vishnu. Krishna’s flute, adorned with a pair of bells, used for ornamenting cattle, is denotative of Krishna’s cowherd links, though his most lavishly conceived ‘antariya’ – lower wear, has as strong stateliness of being Vishnu’s incarnation.


This description by Prof. P.C. Jain and Dr Daljeet. Prof. Jain specializes on the aesthetics of ancient Indian literature. Dr Daljeet is the chief curator of the Visual Arts Gallery at the National Museum of India, New Delhi. They have both collaborated on numerous books on Indian art and culture.



The Divine Beauty: Exploring the Meaning and Symbolism Behind Krishna Statues

Lord Krishna is known by various other names such as Govinda, Gopala, Giridhari, Madanmohan, Radharaman, Maakhanchor, etc. The Vedic scriptures mention Him as the Supreme Lord, the cause of all causes, and the controller of living entities. In the Bhagavad Gita, Krishna Himself says that there is no Truth superior to Him and that in all the Vedas, He is to be known. Different people see Him differently. Some people see Him as their son, some as their friend, some as their master, and some as their beloved. He is the source of all pleasure and bliss. There are so many pastimes described in the Vedic literature where it is seen that whoever approached and served Lord Krishna with full faith and devotion, was never bewildered even in the greatest calamities, and was always protected by Him. Lord Krishna is therefore the ocean of mercy.

Lord Krishna expands Himself into different forms to fulfill a particular purpose in the material world. For example, to save His five-year-old devotee Prahlad from the ghastly attacks of his demoniac father Hiranyakashipu, the Lord assumed a special form of half-lion and half-man, Narasimha, and appeared from a stone pillar and killed the demon with His sharp nails. This shows an interesting quality of Lord Krishna. He is very possessive about His devotees. He never tolerates blasphemy against them. Those who try to harm them in any way, the Lord punishes them the hardest way.
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Is Krishna statue good at home?

If you want to please Lord Krishna with your service and devotion, keeping the deity of the Lord will be good for you. Wherever there is Krishna, there is opulence, victory, extraordinary power, and morality. Worshiping the deity is one of the easiest ways to build a strong relationship with the Lord. There is no difference between the deity of Krishna and Krishna Himself. The Lord said in the Bhagavad Gita that we can worship Him by offering Him a leaf, a flower, water, or a fruit. If the Lord is pleased, you will feel great satisfaction within your heart and you will experience transcendental bliss. Therefore, keeping the deity of Lord Krishna at home and following the necessary rules and regulations in the deity worship process is highly auspicious.
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Which Krishna statue can be kept at home?

There is nothing more sublime than serving the lotus feet of Lord Krishna for it is the very aim of human life. Therefore, you can worship any form of Lord Krishna as your heart desires. You can either keep the deity of the original two-handed form of Krishna playing His flute or the childhood form of Krishna eating butter. You may also keep the deity of Krishna along with Srimati Radharani, His internal potency. If you want to attract the causeless mercy of the Lord and engage in His offenseless service, worshiping the deity of Lord Jagannath, the most merciful form of Lord Krishna would be the best for you. Lord Jagannath does not take offenses of the devotees and only looks at their good qualities and intentions.
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How to keep a Brass statue well-maintained?


Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.

 

Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.

 

  • The best and simplest way to maintain a brass statue is to clean it at least twice a week using a soft cloth or cotton rag. This will prevent dust from accumulating on the surface. Dusting is especially important for outdoor statues since it is prone to dust accumulation much more than indoors.

 

 

  • To give a natural shine and luster to the statue, you may apply coconut or olive oil using cotton on every portion. You can use a toothbrush to get to the small crevices but do not be too harsh. This will make the brass statue appear fresh and new with a polished look.


  • In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth. 

 

Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity. 

Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I see the original photo of the product ?
    A. For original pictures of the statue, kindly email us at [email protected].
  • Q. Can I return the statue ?
    A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at [email protected].
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