Bulging eyes, sharp fangs, and a striking ferocity in the demeanor, the brass Kirtimukha motif is an ancient Hindu element visible in the grand temple complexes, gracing the entrance of the Garbhagriha or sanctum sanctorum. Narrated in the Shiva Maha Purana, the story of the origin of Kirtimukha is as astounding as the artistic rendition of the lion-faced demon.
Jalandhara, the menacing demon king after conquering the human and divine world, was struck by a vicious desire of winning goddess Parvati, the great mother and the most beautiful female in the three worlds, as his queen. Overjoyed by the thought, Jalandhara chose the demon Rahu as his messenger, who reached Kailasha and expressed the feelings of his king in front of Lord Shiva. Hearing the message, Shiva released his powerful rage which took the form of a ferocious demon, ready to devour the messenger of Jalandhara. Rahu however was a cunning one who knew that the Mahadeva would forgive anyone who asked for his benevolence. With folded hands, Rahu prayed to Shiva to spare him, and the Bhole Nath Shiva immediately stopped his demon from attacking Rahu.
Rahu was saved from the rage of Shiva but the powerful demon who was born moments ago was suffering from a seething hunger. The demon approached his creator Shiva and prayed to him to provide him with satiating nourishment. Shiva, the Adi Deva whose divine plays (Lila) is incomprehensible for even the most learned ones ordered the demon to devour himself. Thus began a bizarre spectacle, of the demon slowly eating his limbs as per the wish of his maker, until the only part left of his humongous body was his face. Lord Shiva, moved by the self-sacrifice of his creation praised him and gave him the boon that he will always reside at the entrance of holy shrines as the guardian of the divine sphere, and anyone who fails to appreciate and pay respect to him, will not be able to gain the blessings of Shiva. In remembrance of the lion-faced demon’s glorious act, Shiva named him Kirtimukha (Kirti- glory, Mukha- face).
Exotic India Art with this brass Kirtimukha wall hanging brings to you the protective powers of Shiva’s boons and the potencies of Vaastu prescribed Kirtimukha that wards off all evil and ensures the presence of only positive, spiritual vibrations in your space.
How to care for Wood Statues?
Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.
It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster.
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