23" Kirtimukha Wall Hanging with Frame In Brass | Handmade | Made In India

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Bulging eyes, sharp fangs, and a striking ferocity in the demeanor, the brass Kirtimukha motif is an ancient Hindu element visible in the grand temple complexes, gracing the entrance of the Garbhagriha or sanctum sanctorum. Narrated in the Shiva Maha Purana, the story of the origin of Kirtimukha is as astounding as the artistic rendition of the lion-faced demon.

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Item Code:	ZEO639
Specifications:	Brass and Wood Statue
Height:	23.00 inch
Width:	3.50 inch
Depth:	29.00 inch
Weight:	10.50 kg

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Jalandhara, the menacing demon king after conquering the human and divine world, was struck by a vicious desire of winning goddess Parvati, the great mother and the most beautiful female in the three worlds, as his queen. Overjoyed by the thought, Jalandhara chose the demon Rahu as his messenger, who reached Kailasha and expressed the feelings of his king in front of Lord Shiva. Hearing the message, Shiva released his powerful rage which took the form of a ferocious demon, ready to devour the messenger of Jalandhara. Rahu however was a cunning one who knew that the Mahadeva would forgive anyone who asked for his benevolence. With folded hands, Rahu prayed to Shiva to spare him, and the Bhole Nath Shiva immediately stopped his demon from attacking Rahu.

Rahu was saved from the rage of Shiva but the powerful demon who was born moments ago was suffering from a seething hunger. The demon approached his creator Shiva and prayed to him to provide him with satiating nourishment. Shiva, the Adi Deva whose divine plays (Lila) is incomprehensible for even the most learned ones ordered the demon to devour himself. Thus began a bizarre spectacle, of the demon slowly eating his limbs as per the wish of his maker, until the only part left of his humongous body was his face. Lord Shiva, moved by the self-sacrifice of his creation praised him and gave him the boon that he will always reside at the entrance of holy shrines as the guardian of the divine sphere, and anyone who fails to appreciate and pay respect to him, will not be able to gain the blessings of Shiva. In remembrance of the lion-faced demon’s glorious act, Shiva named him Kirtimukha (Kirti- glory, Mukha- face).

Exotic India Art with this brass Kirtimukha wall hanging brings to you the protective powers of Shiva’s boons and the potencies of Vaastu prescribed Kirtimukha that wards off all evil and ensures the presence of only positive, spiritual vibrations in your space.

Sculpting Serenity: Unveiling the Art of Crafting Wood Statues

Wood has been a preferred material for sculptures and statues since ancient times. It is easy to work with than most metals and stones and therefore requires less effort to shape it into any desired shape or form. The texture of the wood gives an element of realism to the sculpture. The selection of an appropriate wood type is necessary for carving. Woods that are too resinous or coniferous are not considered good for carving as their fiber is very soft and thus lacks strength. On the other hand, wood such as Mahogany, Oakwood, Walnut wood, Weet cherry wood, etc., are preferred by sculptors because their fiber is harder. A wood sculptor uses various tools such as a pointed chisel in one hand and a mallet in another to bring the wood to the desired measurement and to make intricate details on it. A carving knife is used to cut and smooth the wood. Other tools such as the gouge, V-tool, and coping saw also serve as important tools in wood carving. Although the wood carving technique is not as complex and tough as stone carving or metal sculpting, nonetheless, a wood carver requires a high level of skills and expertise to create a stunning sculpture.

1. Selecting the right wood

The process of wood carving begins with selecting a chunk of wood that is required according to the type and shape of the statue to be created by the sculptor. Both hardwoods and softwoods are used for making artistic pieces, however, hardwoods are preferred more than softer woods because of their durability and longevity. But if heavy detailing is to be done on the statue, wood with fine grain would be needed as it would be difficult to work with hardwood.

2. Shaping the wood

Once the wood type is selected, the wood carver begins the general shaping process using gouges of various sizes. A gouge is a tool having a curved cutting edge which is useful in removing large unwanted portions of wood easily without splitting the wood. The sculptor always carves the wood across the grain of the wood and not against it.

3. Adding detailing

When a refined shape of the statue is obtained, it is time for making details on the statue using different tools. This is achieved by using tools such as a veiner to make and a V-tool to create decorative and sharp cuts.

4. Surface finishing

Once finer details have been added, the sculptor is ready to smoothen the surface and give it a perfect finish. Tools such as rasps and rifflers are used to get a smooth surface. The finer polishing is obtained by rubbing the surface with sandpaper. If a textured surface is required, this step is skipped. Finally, to protect the statue from excessive dirt accumulation, the sculptor applies natural oils such as walnut or linseed oil all over it. This also brings a natural sheen to the statue.

How to care for Wood Statues?

Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.

Wood tends to expand and contract even after it has been processed, thus it is always recommended to keep the wooden sculptures in rooms with little humidity. Excess moisture can harm your masterpiece.

Periodical dusting of the finished piece is necessary to maintain its beauty as dust accumulation on the surface takes away the shine of the sculpture. You can use a clean and soft cloth or a hairbrush for this purpose.

You must avoid applying any chemical-based solutions that may damage the wood from the inside. Instead, you can apply lemon oil or coconut oil using a cotton rag to the sculpture to bring out its natural shine. Lemon oil also helps to clean any stains on the sculpture.

Applying a layer of beeswax protects the wood from sun damage and hides even the smallest imperfections on the wood.

It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster.

Frequently Asked Questions

Q. Is the statue hollow or solid ?

A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
Q. Can I see the original photo of the product ?

A. For original pictures of the statue, kindly email us at [email protected].
Q. Can I return the statue ?

A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
Q. Can you customise the statue for me ?

A. For any customisation, kindly email us at [email protected].