This marvelous piece, requiring exceptional skill in its casting, represents Lord Ganesh in Lalitasana, a mode of sitting which allures by itself. The image proper has been installed on a raised pedestal consisting of conventionalised lotus petals and beads.
The right leg of the deity suspends to its mid-height. His vehicle mouse has stationed itself on the upper ridge of the pedestal. It is around here that the circular fold of the dhoti of Lord Ganesh and the ends of his sash beautifully lay.
Deity's benign face where enshrines the celestial calm and composure, his lalitasana, his two lower hands, one raised in varada and the other carrying modaka, his lambodara or the large pot belly and his nagabandha, the ritual band consisting of a serpent, are features of Ganapati in his Varada manifestation. The varada assures awefree blessed life; the modaka fills life with prosperity and fragrance of success; the large pot belly contains all riches and oceans of knowledge; and, the nagabandha is the symbol of good health, long life and of the spiritual control of the material world.
The Ganapati has been cast wearing on his head both, a rich crown and a sturdy helmet, one depicting his majesty and splendour by which he rules the cosmos and radiates it and the other his rock-like formidability, which detriments dare not face.
Cast in copper mixed alloy, the image naturally obtains the lustrous deep brown complexion against which the golden brilliance of garments and ornaments gets many more times multiplied. The raised ornaments have such appearance as if these are superimposed or are really worn and not carved with the figure. Figure's eyes give a feeling of deep thoughtfulness and the face has a benign bearing. The well shaped ears are further beautified by additional ornaments and so are the other parts of the auspicious god. Besides the nagabandha he is also wearing yajnopavita.
This description by Prof. P.C. Jain and Dr Daljeet. Prof. Jain specializes on the aesthetics of ancient Indian literature. Dr Daljeet is the chief curator of the Visual Arts Gallery at the National Museum of India, New Delhi. They have both collaborated on numerous books on Indian art and culture.
How to keep a Brass statue well-maintained?
Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.
Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.
In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth.
Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity.
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