Chola
Chola
Patina
Patina

The Invincible Yuddha-Ganapati In Brass | Handmade | Made In India

$1890
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A rare and highly innovative form of the elephant god, this statue, cast in brass but anodized in copper, represents Lord Ganesha marching with firm strides towards the battlefield. With fury on the face, determination in mind, and sternness in the entire being this statue represents Lord Ganesha in an absolutely different image so unlike his popular image.

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Chola
Patina
Patina
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Item Code: ZDS27
Specifications:
Brass Statue
Height: 28.50 inch
Width: 17.50 inch
Depth: 10.00 inch
Weight: 32.70 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide

The lord of auspiciousness contains the detrimental forces by his sheer presence, not by using force or arms, in this statue he is quite agitated and eager to resort to arms. Though conceived by blending elements of the sixteen-armed Vira Ganapati and eight-armed Durg Ganapati forms of his iconography, this fully armed form of Lord Ganesha manifests him in a new iconographic idiom that a term like Yuddha-Ganapati, or the warring Lord Ganesha or Lord Ganesha in the battlefield, better defines.  As mentioned in various scriptures, Modagalya Purana in particular, Vira Ganapati and Durg Ganapati are two of the thirty-two classical forms of the elephant god’s image manifesting his valiant and victorious forms.


Unlike the sixteen-armed form of Vira Ganapati, and eight-armed, Durga Ganapati, carrying in them a wide range of attributes, most of them just formal or symbolic, this brass sculpture represents him as four-armed – a practically operative image, and the weapons carried in them, usable, effective and realistic. In his normal left and right hands he is carrying a bow and arrow, none of them just symbolic or represented motifs-like, and in the upper right, a mighty trident, and in the upper left, a massive battle-axe – all effective and deadly. The bow is properly stringed and is held with a forward thrust in readiness to release the mighty arrow he is holding in his other hand. Agitated and furious his forehead, face, and trunk are upward inclining, his eyes are fully widened, and the rest of the face, as well as his breast, inflated. This backward surge is also in his backward tilting crown and in the unfurling ears. Though a pot-belly usually defines his images, as the battlefield conditions required, in this statue it is largely contained, though also duly secured by a ‘naga-bandha’ – serpent-band, Lord Ganesha’s standing statues are rare; here not just standing, he has been represented as moving with determined strides.


This form of the delightful lord who is invariably portrayed in queerish postures and with a smile on his face, has in this statue a furious demeanour, and more so, inclining to use arms, no matter even against errant and wrong-doers. Elephant goad and noose are his chosen weapons by which he drives and keeps his devotees on the right path. When seeking to punish the moon for its misconduct he simply uprooted one of his teeth and hurled it on the celestial body. He felt insulted when serpent Vasuki laughed at him. He could punish the serpent but preferred to catch hold of it and tie it like a belly band around his belly to secure it against the extra quantity of food he consumed. As the tradition has it, once he was on a walk to digest the ‘laddus’ he had over-eaten but suddenly his abdomen burst, and ‘laddus’ rolled out. Serpent Vasuki, passing across, witnessed the incident and laughed at him. Instead of punishing the serpent he first collected the ‘laddus’ and re-stored them back in his abdomen and then caught Vasuki and tied it around his belly to secure it. So unlike him, in this statue, this same delightful Ganesha is in fury.


The four-armed standing image of Yuddha Ganapati has been installed on a three-tiered rectangular pedestal consisting of a plain base moulding surmounted by a similar moulding in the centre though with an over-sized top and not as large in length and breadth as the base moulding. The upper moulding consists of an inverted lotus topped by a plain cushion. Lord Ganesha’s mount the tiny mouse is trying to reach its master and is already on the mid-height of the pedestal. As befitted a warrior Lord Ganesha is in ‘antariya’ but as tight-fitted as breeches and well secured by an elaborate girdle. In far widened legs the central 'pata’ hung in between looks like an independent unit. Besides the ‘nagha-bandha’ he is also putting on breast-band and shoulder-bands. A strong headgear apart from the ornaments that he is putting on are only a few and all those are used commonly in his images.

This description by Prof. P.C. Jain and Dr. Daljeet.



How to keep a Brass statue well-maintained?


Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.

 

Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.

 

  • The best and simplest way to maintain a brass statue is to clean it at least twice a week using a soft cloth or cotton rag. This will prevent dust from accumulating on the surface. Dusting is especially important for outdoor statues since it is prone to dust accumulation much more than indoors.

 

 

  • To give a natural shine and luster to the statue, you may apply coconut or olive oil using cotton on every portion. You can use a toothbrush to get to the small crevices but do not be too harsh. This will make the brass statue appear fresh and new with a polished look.


  • In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth. 

 

Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity. 

Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I see the original photo of the product ?
    A. For original pictures of the statue, kindly email us at [email protected].
  • Q. Can I return the statue ?
    A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at [email protected].
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