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Standing Garuda with Stretched Wings and a Snake in His Beak

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The vahana of Vishnu steeped in legend, mythology and modern symbolism as a bird creature that has a mix of eagle and human beings. Garuda is an enemy of all snakes and represents birth and heaven. In Indian art form, Garuda is depicted in human form; shown here as standing on a realistic multi-levelled rock with the white colored marvellously styled and carved feathers stretched up to a mile wide.

This cosmic immortal bird-god or the king of birds is favoured by both Hindus and Buddhists; having torso and arms of a strong man in a dark golden brown shade and a traditional Nepali Buddhist crown in white and ted combination. He defeated snakes in a battle and wears one as jewelry and the other he carries in his vicious looking beak and holds the ends by hands.

The fierce expression of his eyes and his glorious sight portrays him as a symbol of virtue, hope and rebirth with the additional quality of being a brilliant warrior and a military prowess. This sculpture is carved in awe-struck briefings and vigilant gestures.

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Item Code:	ZEN078
Specifications:	Copper Statue From Nepal
Height:	10.5 inch
Width:	2.8 inch
Depth:	13 inch
Weight:	2 kg

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How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.