Soon after, Shiva (Lord of destruction and husband of Parvati,) came to see Parvati but the young boy blocked his way and would not let him in. Shiva, unaware that this lad was his son, became furious and in great anger fought with this boy whose head got severed from his body in the ensuing battle. Parvati, returning from her bath, saw her headless son and threatened in her rage to destroy the heavens and the earth, so great was her sorrow.

Shiva pacified her and instructed his followers (known as ganas) to bring the head of the first living being they encounter. The first creature they encountered was an elephant. They thus cut off its head and placed it on the body of Parvati's son and breathed life into him. Thus overjoyed, Parvati embraced her son.

The son of Parvati was given the name Ganesha by Shiva. The word Ganesha is made up of gana (followers of Shiva) and isha (lord), thus Shiva appointed him the lord of his ganas.

According to the strict rules of Hindu iconography, Ganesha figures with only two hands are taboo. Hence, Ganesha figures are most commonly seen with four hands which signify their divinity.

His pot belly signifies the bounty of nature and also that Ganesha swallows the sorrows of the Universe and protects the world.

The most striking feature of Ganesha is his elephant head, symbolic of auspiciousness, strength and intellectual prowess. All the qualities of the elephant are contained in the form of Ganpati. The elephant is the largest and strongest of animals of the forest. Yet he is gentle and, amazingly, a vegetarian, so that he does not kill to eat. He is very affectionate and loyal to his keeper and is greatly swayed if love and kindness are extended to him. Ganesha, though a powerful deity, is similarly loving and forgiving and moved by the affection of his devotees. But at the same time the elephant can destroy a whole forest and is a one-man army when provoked. Ganesha is similarly most powerful and can be ruthless when containing evil.

Again, Ganesha's large head is symbolic of the wisdom of the elephant. His large ears, like the winnow, sift the bad from the good. Although they hear everything, they retain only that which is good; they are attentive to all requests made by the devotees, be they humble or powerful.

Ganesha's trunk is a symbol of his discrimination (viveka), a most important quality necessary for spiritual progress. The elephant uses its trunk to push down a massive tree, carry huge logs to the river and for other heavy tasks. The same huge trunk is used to pick up a few blades of grass, to break a small coconut, remove the hard nut and eat the soft kernel inside. The biggest and minutest of tasks are within the range of this trunk which is symbolic of Ganesha's intellect and his powers of discrimination.

Any attempt to penetrate the depths of the Ganesha phenomenon must note that he is born from Goddess Parvati alone without the intervention of her husband Shiva, and as such he shares a very unique and special relationship with his mother. The sensitive nature of his relationship with Parvati is made amply clear in the following tale:

As a child, Ganesha teased a cat by pulling its tail, rolling it over on the ground and causing it great pain, as naughty young boys are wont to do. After some time, tired of his game, he went to his mother Parvati. He found her in great pain and covered with scratches and dust all over. When he questioned her, she put the blame on him. She explained that she was the cat whom Ganesha had teased.

His total devotion towards his mother is the reason why in the South Indian tradition Ganesha is represented as single and celibate. It is said that he felt that his mother, Parvati, was the most beautiful and perfect woman in the universe. Bring me a woman as beautiful as she is and I shall marry her, he said. None could find an equal to the beautiful Uma (Parvati), and so the legend goes, the search is still on..

In a beautiful interpretation the sculptor has colored the statue completely in gold, signifying the special status of Ganesha in the Hindu pantheon.

This sculpture is a temple carving from the state of Tamil Nadu.

Sculpting Serenity: Unveiling the Art of Crafting Wood Statues

Wood has been a preferred material for sculptures and statues since ancient times. It is easy to work with than most metals and stones and therefore requires less effort to shape it into any desired shape or form. The texture of the wood gives an element of realism to the sculpture. The selection of an appropriate wood type is necessary for carving. Woods that are too resinous or coniferous are not considered good for carving as their fiber is very soft and thus lacks strength. On the other hand, wood such as Mahogany, Oakwood, Walnut wood, Weet cherry wood, etc., are preferred by sculptors because their fiber is harder. A wood sculptor uses various tools such as a pointed chisel in one hand and a mallet in another to bring the wood to the desired measurement and to make intricate details on it. A carving knife is used to cut and smooth the wood. Other tools such as the gouge, V-tool, and coping saw also serve as important tools in wood carving. Although the wood carving technique is not as complex and tough as stone carving or metal sculpting, nonetheless, a wood carver requires a high level of skills and expertise to create a stunning sculpture.

1. Selecting the right wood

The process of wood carving begins with selecting a chunk of wood that is required according to the type and shape of the statue to be created by the sculptor. Both hardwoods and softwoods are used for making artistic pieces, however, hardwoods are preferred more than softer woods because of their durability and longevity. But if heavy detailing is to be done on the statue, wood with fine grain would be needed as it would be difficult to work with hardwood.

2. Shaping the wood

Once the wood type is selected, the wood carver begins the general shaping process using gouges of various sizes. A gouge is a tool having a curved cutting edge which is useful in removing large unwanted portions of wood easily without splitting the wood. The sculptor always carves the wood across the grain of the wood and not against it.

3. Adding detailing

When a refined shape of the statue is obtained, it is time for making details on the statue using different tools. This is achieved by using tools such as a veiner to make and a V-tool to create decorative and sharp cuts.

4. Surface finishing

Once finer details have been added, the sculptor is ready to smoothen the surface and give it a perfect finish. Tools such as rasps and rifflers are used to get a smooth surface. The finer polishing is obtained by rubbing the surface with sandpaper. If a textured surface is required, this step is skipped. Finally, to protect the statue from excessive dirt accumulation, the sculptor applies natural oils such as walnut or linseed oil all over it. This also brings a natural sheen to the statue.