GEMSTONE GODDESS STATUES

7.70 inch Height X 9.30 inch Width X 3.80 inch Depth
$402
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2.20 inch Height X 2.20 inch Width X 1.60 inch Depth
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2.70 inch Height X 3.90 inch Width X 2.70 inch Depth
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2.50 inch Height X 2.50 inch Width X 1.50 inch Depth
$141
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2.80 inch Height X 2.50 inch Width X 1.75 inch Depth
$135
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2.30 inch Height X 2.80 inch Width X 1.80 inch Depth
$183
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2.00 inch Height X 2.60 inch Width X 1.75 inch Depth
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2.80 inch Height X 4.00 inch Width X 2.20 inch Depth
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2.80 inch Height X 2.50 inch Width X 1.70 inch Depth
$201
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3.50 inch Height X 4.50 inch Width X 3.20 inch Depth
$465
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6.75 inch Height X 6.80 inch Width X 1.70 inch Depth
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2.50 inch Height X 2.70 inch Width X 1.70 inch Depth
$168.75
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2.20 inch Height X 3.50 inch Width X 2.00 inch Depth
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Myriad of Indian Feminine sculptures that elevate and safeguard your aura

The oldest known goddess devotees were unable to have access to contemporary reading, composing, artwork, or sketch skill sets. As a direct consequence, there isn't any authored or measurable evidence of the oldest goddesses. They most presumably used organic substances to portray these goddesses, including such stones, clay, and greenery, as several Indians continue to do in ritual practices today.


As a direct consequence, these primitive goddesses really had no physiological remnants. These goddesses are renowned as Kuladevis and Gramadevis, lineages and establishment goddesses, and they remain an integral part of many Indian traditions. As per scripture, the Rig Veda, which dates back more than 3,000 years old, appears to contain the earliest goddesses.


Usha, the deity of the dawn, and Aranyani, the deity of the forest, are discussed hereafter. We also confront Vak, the deity of utterance. The divinities Sri and Durga, who really are affiliated with power and fortune arrive next. Nevertheless, there are currently no aspects to classify them. They show up to be more conceptual. The authority of goddesses was enhanced when they became affiliated with kingship.


The shield of his fort and embodiment of his throne, Durga was the patroness of kings. There are narratives of the goddess turning up in dreams, awarding a sword or directing a future king to riches, and encouraging him resilience and accomplishment as long as he provided her and decided to offer her the heart of his foes.


She was Rajarajeshwari, the aristocratic folk's goddess. The goddess of kings is perched on a throne constructed by a group of male gods in this example, in which gender responsibilities are reversed. These kings portray the vanquished. The conqueror's mother is the divinity. These notions set the stage for goddesses' power and prominence. 


Kali continues to stand in for the potent Shakti. She is also alluded to as the destroyer, the soul-emancipator, and the benefactor of moksha, or awakening. Raktabeech, a demon who had been assumed to really be capable of creating new, potent evil spirits with each drop of his blood that landed on the ground, was the adversary Kali was formed to take on.


With a skeleton, a knife, and a pot in her hands, Kali makes it seem that she is only an angry goddess. Radha is regularly shown by  Lord Krishna. She is also alluded to as Radharani or Radhika. Radha is regarded as Krishna's companion and partner, portraying her supreme power and Shakti, and it is assumed that they will not be perfect without one another.


Hinduism makes reference to Kamadhenu, also termed as Surabi, as the parent of all livestock. She is a delightful cow who performs everything her purchaser requests of her and is frequently depicted as the mother of many other cows.


She is commonly described as a white cow with different gods within its body, a female head and chest, bird feathers, and a pea tail. No one venerates Kamadhenu as a completely separate deity. She is attributed with honoring Hindu cattle instead, which are assumed as her material world illustrations.