The compositions span different musical idioms from classical raga to folk-based melody and a more contemporary interpretation. Sound effects have been used sparingly, to suggest ambience rather than define it. Traditional instruments have been used throughout, though sometimes unconventionally, except for the bass guitar, which I have used to underscore rhythm, and as an almost jazz-like counterpoint in the last piece.
The river has many faces. These compositions are musical impressions of those faces, musical images recreated in sound.
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