“Bhava” (the Lord of the Universe) and “Bhavani” (the mother of the Universe), Shiva and Shakti or Uma-Maheshwara in Hinduism are the supreme god and goddess, from whom emerges the Creation of Brahma and at the end of one cycle, finds its ultimate resting abode. They are creation, sustenance, and annihilation incarnate. The might of Shiva and Parvati manifests in their children- Ganesha and Karttikeya, who are born to protect gods, sages, and humans from evil forces and eternally fight in the war of Dharma to ensure that the Universe is in a state of balance.
Thus, the worship of Shiva-Parivar, placing the image or icon of Shiva’s divine family in one’s home and seeing them in their heavenly togetherness, brings a blissful balance in all fields of life, causing a harmony within the human and in all the relations and tasks around them.
The cosmic beauty of Shiva-Parivar is aesthetically brought to life in this marvelous vintage Tanjore painting. Encased in a sturdy and antiquated teakwood frame, the artwork carries the aura of Shiva-Loka, the abode of Shiva and Parvati. Following the classic idiom of Tanjore, the images are placed within an ornate arched hall or Mandapam, with four golden pillars, Yalis, and fine architectural details bringing a sense of grandeur to the scene.
The central image of the painting is Uma-Maheshwara, with Shiva adorned in lovely ornaments and garments, carrying goddess Parvati in his lap. The duo are worshipped by Shaiva sages- Vtaghrapada (one with the leg of a Vyaaghra or tiger) and Bhringi and have Nandi, the bull of Shiva guarding their sacred space. A deep red, the color of Shakti, the supreme energy that emerges from the union of Shiva-Shakti is used in the background, adding a rich element to the imagery.
On each side of Shiva and Parvati are their legendary sons, Ganesha with a lustrous red form, and Karrtikeya Shanmukha or six-headed one, holding the flying whisks and serving in the court of their parents. Both are adorned splendidly, with the tassel of their waistcloth swaying gently, to suggest a movement of their bodies as they move the golden Chanvar (flying whisks), infusing the Tanjore with an unusually subtle dynamism. Outside the arched space stand two attendant devotees, with peacock feather fans, who have Tripunda, the three-lined Shaivite mark on their bodies. On the horizon, two heavenly beings fly, showering flowers on the divine family.
With an emphasis on the technique of embossing, the beauty of Shiva-Parivar is amplified fourfold, by the creation of a glistening three-dimension effect in the artwork. The detailing on the canvas is marvelous, which can be highlighted by the image of Ganga, the river-goddess drawn as a crest of Shiva’s crown, with a charming green countenance and a smile, expressing her bliss of being an audience to the awe-inspiring presence of Uma-Maheshwara.
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