About the Book

Inverting the conventional imagery of European travel narratives about South Asia, this omnibus brings together three fascinating accounts of Indian interaction with the West. It raises interesting questions about cross-cultural encounters. Is the West objectively perceived and represented? Do observers colour fact with fiction? Do they talk of an East-West divide?

The first volume covers Itesamuddin’s travel (1765-9) to Europe. Set in the context of the grant of Diwani to the British in India, Images of the West, offers fresh insights on the state and everyday life in England discussing questions of religious controversies, military, and law. Its author also gives us a panoramic view of the socio- cultural life, flora and fauna, and education and lifestyles.

Abu Taleb’s travelogue provides a non-western representation of the West, and sheds light on the national customs and manners of Europeans. Westward Bound comprises his impression of England, France, Genoa, Malta, Turkey, and Baghdad during his travels (1799-1803). His understanding of cultural streams in the East and the West offer an alternative viewpoint on the encounter between pax Brittanica and the Sharif families of North India.

Seamless Boundaries presents the autobiography of Lutfullah khan (b.1802), English. Traversing geographical and cultural boundaries, Lutfullah’s narrative defies conventional labels. He explores events, people, and their culture beyond the mere East-West dichotomies. He also presents a graphic description of voyage to England in 1844.

Mushirul Hasan’s introduction examines the life and times of these travelers. Arguing for exploring the West and the Muslim societies from an unsentimental and wide-ranging perspective, he investigates the discourse on East-West relations, and highlights the significance of travel narratives as historical records in the production of Knowledge.

This collection, the first of its Kind, will be indispensable for scholars and students of history, travel literature, and sociology.

About the Author

Mushirul Hasan is Director General, National Archives of India, New Delhi. A Padmashree awardee, he is former Vice Chancellor, Jamia Millia Islamia, New Delhi. He was awarded officer of the Order of Academic palms by the Prime Minister of the French Republic in 2009.

Editor’s Preface

The first time I saw this assembly (House of Commons), they reminded me of two flocks of Indian paraquets sitting upon opposite mango tree, scolding at each other; the most noisy of whom were Mr. pitt and Mr Fox; This is Mirza Abu Taleb (Talib) Khan, a writer of great literary power, who enjoyed, as a matter of fact, great popular success in Europe. In 2005, the Oxford University prees, Delhi, reissued his chef d’ oeuvre, Masir- i Talibi fi Bilad Afrangi (Westward Bound: Travels of Mirza Abu Taleb) so that his distinctive voice with so many perceptions could be heeded in academic circles. A couple of years later an edited and annotated version of Lutfullah’s autobiography appeared as Seamless Boundaries: Lutfullah’s Narrative beyond East and West. Now, we re-issue Shigurfnama-I Velayet by Mirza itesamuddin, who embarked on his journey in January 1766 and returned to Bengal by November 1768. For long his work was more or less treated with derision, yet within his own contemporary setting and within the limits of popular readership he was a remarkably skilled writer. With the publication of Shigurfnama, I complete my intellectual journey. In this omnibus the travel narratives of Itesamuddin and Abu Taleb appear with chapter titles. However, this pattern has not been followed in the case of Lutfullah’s text because each of his chapters discuss disparate event.

As in the case of the Travels and the Autobiography. The English text of Shigurfnama is unchanged; I have not made any interpolations.

I have reproduced here James Edward Alexander’s translation of Travels of Mirza Itesa Modeen in Great Britain and France in full. There is yet another translation by Kaiser Haq, The Wonders of Vilayet: Bing the Memoir, Originally in Persian, of a Visit to France and Britain (London, 2001). Earlier, A.B.M. Habibullah translated the book in Bengali (Dhaka, 1981); Shigurfnama-I Velayet figures in some of the works in Urdu; for example, Khalid Mahmud, Urdu safarnamon ka tanqeedi mutala (Delhi, 1995); Bashri Rehman , Urdu keg hair-mazhabi safarname (Gorakhpur, 1999).

Among the modern Writers, Mohammad Mujeeb, Michael H. Fisher, and Simonti Sen have drawn attention to and analysed Itesamuddin’s work Shams N. Zaman’s full length study of Mirza Shaikh Itesamuddin and his Travelogues: Shigurf Name I Vilayet (London, 2002)  isbased on meticulous research. Next to her, Gulfishan Khan provides the most extensive coverage of Itesamuddin in Indian Muslim perceptions of the West during the Eighteenth Century (Karachi, 1998). On religion, in particular, she summarizes Itesamuddin’s views rather well. Michael Fisher’s Counterflows to Colonialism carries an exhaustive reading list on the Indian travelers.

There remains the pleasant task of expressing my appreciation and benefit of her comments; to javed Ali Khan for his help in preparing, notes, to Somdatta Mandal for sending me copies of Shams N. Zaman’s book and the translation of Shigurf; to Professor Roop Rekha Verma for borrowing Alexander;s translation form the Tagore Library of the University of Lucknow; and  to the editorial team at Oxford University press, Delhi, for help and advice in the production of this book.

About the painting reproduced from Alexander’s English translation, Shams N. Zama’s search led her to the conclusion that it was a drawing by R.J. Lane. The Royal Academy acknowledged this picture as a lithographic print produced by Charles Hullmandel, a lithographic printer.

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