This Circular Framed Ashtalakshmi Wall Hanging is a divine fusion of craftsmanship and spirituality. Encased within a wooden circular frame, this masterpiece features brass circular statues depicting the eight forms of the goddess Lakshmi. Meticulously crafted, each statue exudes intricate details and symbolic richness.
The circular design enhances the sense of continuity and completeness, symbolizing prosperity in various aspects of life. This wall hanging becomes a sacred tableau, blending the warmth of wood with the lustrous appeal of brass. With spiritual significance and artistic finesse, it transforms any space into a harmonious sanctuary, radiating blessings and cultural elegance.
When we talk about Indian wear and elegance together, the only that crosses the mind is a sari. When a woman is adorned in a sari, it highlights the best of her personality and beauty, as the grace and charm of a sari is unmatchable. A sari tied in any style will be much appealing than any other Indian wear. This silken style shown here is a must have trousseau of its kind. The art silk fabric of this sari makes it a comfortable wear round the year, in any season and the stylish and soothing colors allows it to fit for all kinds of functions, whether in morning or evening. The silk fabric makes its texture smooth and lustrous, because of which you can comfortably carry it, in friends and family gatherings while the sober work balances the shine for a perfect formal wear.
As you zoom in to the image, you can see the large ethnic block prints, spread all over in equal distances and directions. The thin golden border complements with the motifs, giving it a complete look. To have an ease and variety for you we make you avail with four unique color options, which are- rosy pink, royal green, bright yellow-gold and the deep sky blue. Pair this fashionable sari with high heels and stylized danglers for a trendy look or a beautiful neck set with earrings for a traditional wear.
Standing in his magnificent charm, Lord Krishna is an epitome of beauty and grace, whose single glance in any form is a matter of great joy and desire for the devotees. Krishna’s child-like innocence and his lilas are a popular aspect of his personality. Keeping the traditional ties in mind, the sculptor has given great justice to the carvings of this Lord Krishna brass sculpture.
A Banarasi sari is a characteristic style from Benares handloom that holds a classical art heritage in the form of fascinating brocades assimilating the spirit and traditions of several ages since the Vedic period. Every pattern is a style of luxury, crafted in rich colours and interwoven with gold and silver threads embodying the developed, nurtured and perfected skills of the craftsmen. The Banarasi brocade that you see on this page is woven with expertise on pure silk fabric, which enhances the lustrous quality of the fabric. The bright golden-yellow base shade acts as the colour highlighter to every other weave. It illuminates the personality and charm of the wearer, hence a perfect choice for wedding functions or other ritual ceremonies.
A Banarasi is a defined trousseau for every bride’s wardrobe and this undoubtedly is one of them. The entire field area is handwoven in soothing and light geometric patterns forming a large spaced mesh, embellished with contrasting multi-coloured patterns of flowers. A Banarasi silk is marked as the national dress for any Indian women because of its unthinkable elegance and sophistication, which this sari completely renders. The image describing its heavy pallu is interwoven with multiple threads in a similar geometric pattern in the centre, whilst the border and bottom half are flourished with floral patterns with every blossoming flower enclosed in an alluring network of vines. The gold brocades along the border are the charm enhancers to this traditional wear.
This all-inclusive form of Lord Ganesha, depicted with five faces, as the name says ‘Panchmukhi’, is a representation of the five layers of atman or the Pancha koshas namely, Annamaya (physical body), Pranamaya (life force), Manomaya (consciousness), Vijnanamaya (a link between conscious, individual and universal mind) and Anandamaya (cosmic bliss) which the sculptor has beautifully carved in this wooden Panchamukhi Ganesha sculpture. The deity seems to be overwhelmed with the complex yet the rich pattern of vines occupying the entire surface area of his royal throne with birds chirping around on them. The multi-layered lotus pedestal on which Lord Ganesha sits is settled upon a stylized floral carved base.
All the five faces of the Panchamukhi Ganesha idol are carved in different directions with each of the angles amazingly justifying the glossy color blend of light and dark brown wooden shades. Having his fingers bent in an elegant posture, all the eight posterior hands carry his iconic implements of protection and destruction while the left anterior hand holds the favorite laddoo indicative of his love for sweets and the right one carries a broken tusk symbolic of his promise and dedication to complete the verse Mahabharata. Panchamukhi Vinayaka is popularly worshipped in Southern parts of India as he helps in the spiritual attainment of the Anandamaya kosha.
This Ganesha wooden sculpture is seated in the usual lalitasana, adorned in a designer striped dhoti and nature-inspired floral carved jewels. Trunks are poised in sharp coils at the end with a deep decoration of striations and the eyes chiseled in decency and dedication. As you hover the mouse on their heads, you will be flawed by the detailed and superfine carves of the long and curved designer crowns.
This water color art enables the users to have a life-like view of lord Shrinath Ji, who stands in his usual posture under the royal gold-plated shrine, decked up in stone and bead necklaces of varied sizes, as long as his height and a beautiful pink lotus flower garland ornated as a boundry to the jewels. Lord Shrinath is a manifestation of seven-year-old lord Krishna and is worshipped as the central presiding deity of the Vaishnava sect, known as the Pushtimarg (the way of grace). The painter has given alluring details to the shaneel and silk clothes of Shrinath Ji, painted in multiple layers of colors and designs, visible on either side.
It is believed that this deity is self-manifested from stone and emerged from the Govardhan hills, therefore initially Shrinath Ji was worshipped at Govardhan hills near Mathura. The painter has amazingly stroked his brush while doing the light blue background filled with white colored floral designs. The gold embossed border is decorated with stone-like red and green patterns along with lord Krishna’s most favourite peacock and the divine cow, Surabhi occupying spaces in the border. Lord Krishna has a close connection with flora and fauna, which can also be seen from this beautiful watercolor art.
The lord is always depicted with his left hand raised and right hand made into a fist rests on the waist. The large diamond placed beneath his lips is known as chibuk and is painted like that of a monolithic black stone. The bunch of lotus flowers on the right accentuate the beauty of this watercolor painting of Shrinath Ji, having the base decorated in ritualistic items used for his puja.
Not just a regular Ganesha brass sculpture, this one is a bona fide carving of Lord Ganesha’s aura of wisdom and enlightenment. Its initial glance induces an essence of positivity and creativity, maintaining his primary place in Hinduism as Vighnaharta (obstacle remover) and the first and foremost to be worshipped before the commencement of any ritual or ceremony.
Kashmiri stoles and shawls are one of the trend setters of the winter fashion. With its superfine quality of fabric and absolute feather touch Kashmiri shawls are highly demanded by the great fashionistas out there. The one you see here is a marvellous and hot combination of red and black that graces the personality of the viewer and captures the attention of the eyes. The pure wool fabric keeps you warm throughout, even in the chilling winters; with the black base, red colored embroidery beautifully outshines itself forming the Kashmiri iconic motifs of chinar leaves and wonderful flowers. You can style this hand embroidered stole with any red or cream colored family outfit.
Aari embroidery found its roots a long time back and continues to be a trendy wear till now in the fashion line-ups. All these red designer flowers, leaves and the large paisleys indicating towards the beautifully formed peacocks are neatly aari embroidered. That initial glance of this woolen shawl, takes us towards the mesmerizing floral beauty of Kashmir. The large paisley pattern in the front is woven in amazing coils at the top forming the head and a mini flower tail respectively of the peacock. Chinar leaves are identified by their beautiful color combination, which is very elegantly woven in this Kashmiri woolen shawl.
Krishna is the most popular subject of choice for artistes in India. The predominant deity to be featured in paintings and sculptors, it is because He is to most Hindus the superlative of all Indian deities. He is portrayed as the most handsome of youths, the calmest and wisest of minds to have descended on ihloka (our actual realm of existence), and the most divine of all flutists. The stance that He has adopted in this murti is how His devotees love to picture Him - He is the tribhanga murari, the flutist (murari) whose form is punctuated (bhang) in three (tri) places namely the shoulder, the hip, and the ankle. The features of His countenance have been painstakingly engraved to convey a composure of divine calm and wisdom.
Sculpted from brass, which is a popular medium for art of a devotional-spiritual nature, this Krishna murti comes in two select finish variations, each of which has been curated for our collection because of its elegance. The natural brass variation has been tastefully polished to project a series of shadows at strategic points on the Lord's physique, while the bronze-like cocoa finish is an intense brown colour that draws the onlooker into a meditative trance. With the usual silks and shringar of Indian iconography intact, the tassel on His lotus petal-rimmed and trishool-engraved crown draws it downwards on one side. A multi-tiered pedestal, a tier of which is composed of an inverted and superbly lifelike lotus, supports the race of the Lord.
The painting that you see on this page does away with many of the shocking elements of her iconography. Instead of standing and treading upon a mortal couple in the midst of copulation, She is seated in padmasana on a throne of gold and pink velvet. She is not surrounded by fire, but by rolling green fields overlooked by pregnant, grey clouds. She is dressed like the traditional, maternal Hindu Devi, but with a scimitar in the left hand and Her masta on a golden platter in the right. Her composure of countenance is one compassion. From the spires of Her golden crown emerge lotuses the colour of the upholstery on Her golden throne.
The Devi Chhinnamasta is surrounded by five sages who look up to Her with supplication. They are dressed in saffron clothing, the traditional colour of the renunciate. The garlands on their necks are made of the same flowers as the Mother’s. A bright, clear body of water, on which bloom beauteous lotuses and lilies aplenty, adds symmetry to the composition.
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