A designer bag with any outfit is enough to outcast the personality of a woman. We provide you with a set of three such bags at the most reasonable price; sewn in colourful thread embroidery in geometrical patterns with the rectangular bars at corners joining to form a diamond patch in the centre. Flourished with floral designs- every pattern retained in its own individual characteristic, entirely different from the other and shiny small crystals embellished extensively as the base, upgrading its vibrant tone and rich look.
Kutch embroidery is an age old tradition of the Tribal community of Kutch district in Gujarat, having the most notable designs and patterns crafted mainly on cotton fabrics using cotton threads. Originally laid its foundation framework from herringbone stitch and gradually travelled this far flaunting awe struck innovations by the Kutchi women, as shown here, apart from the traditional designs, the sewed colourful thread balls on the border outline the distinctive shape of the bag ensuring its homely touch and the two red colored handles each, take care of the holder’s comfort and fashion.
This Bhumisparsha Buddha seated on a wooden base with an elaborate Bodhi Tree is a mesmerizing embodiment of spiritual serenity and natural symbolism. This exquisite sculpture captures the moment of the Buddha's enlightenment, with intricate details in the serene facial expression and graceful posture. The wooden base provides a grounding element, while the Bodhi Tree, meticulously crafted, adds ornate symbolism. This masterpiece not only signifies enlightenment but also becomes a harmonious blend of artistic finesse and spiritual depth. The sculpture serves as a visual narrative, inviting viewers into a contemplative space where the Buddha's profound connection with nature and enlightenment unfolds.
The chaturbhujadhari (four-armed) Lord Ganesha is clad in a scarlet dhoti and angavastram, the former held in place by a bejewelled girdle and the latter hemmed with gold. In His four hands He holds a weapon to fight adharma with, an auspicious implement the conch, a quantum of blessing, and - of course - a golden laddoo without which His iconography, irrespective of whether it is childlike or wrathful, remains incomplete.
The central ensemble is flanked by a pair of standing trishoolas (tridents), which are indicative of the omnipresence of His father Lord Shiva. The background is the solid unassuming colour of light gold sunset, which serves to set off the nuances of the subject in the foreground. Note the striking similarity in composure between the Lord and His simhavahana, a contrast to the tranquil flight of two birds in the distance.
Pashminas form the heart of Kashmiri textile; the extent of their warmth, delicacy and softness demonstrates the expert hand skills required for spinning the wool acquired by Changthangi Goats, weaving it and then creating a brilliant masterpiece out of it. The one shown on this page exemplifies the expertise of weavers; its pure white shade like that of a precious pearl allows it to be accompanied with all sorts of colors and all kinds of dresses. The most alluring part is the thick hand embroidery formed at the edges in a settled and elegant manner.
This eye-catching work is identified as sozni embroidery, which is a part of Kashmiri culture since a long time; one of the primitive characteristic of this style of embroidery is that the motifs are created in a satin stitch and are worked identically on both sides of the cloth; shown here in its most popular motifs of stylish flowers and paisleys; zoom in to see the interconnected plethora of miniscule flowers and vines and the use of vibrant shades of red, green, blue and orange that dominate the color palette of this shawl in an extremely mesmerized form.
Madhubani Art is one of the most famous art forms that has its roots from Mithila, a village in Bihar; it has a lineage of more than 2500 years and reflects the culture and traditions of its origin. The one shown on this page is a quintessence of its style, as Madhubani focuses on depicting themes of natural elements like flora and fauna or representation of ritual contents, like festivals, marriages or deities. A good Madhubani painting is never left with empty spaces and is fully covered with required elements in geometric patterns. They are done with the help of fingers, twigs, pen nibs using natural dyes; for black and white paintings, charcoal and soot are often used for black shade.
This painting depicts a forest scenery, with the dense tree of life extending its branches at the top like a giant in a haphazard direction pattern symbolizing strive for greater knowledge, new experiences and strength; the remaining background is covered with varied kinds of leaves and bushes. The small red dots at the tip of every branch are the outgrown fruits. A friendly and healthy wildlife and fishes can be seen hovering around in the tall bushes and water at the bottom; focus on the style of their outlined structures having bulging fish-like eyes, oval face shape and sharp highlighting stripes and patterns on their respective bodies. The prominent orange color in this superfine painting acts as a major attraction to the eyes.
Lord Narasimha is worshipped as a fierce avatar of lord Vishnu who incarnates with a human torso and lower body with a lion face and claws. It is said that demon Hiranyakashipu had gained special powers by which he could not be killed during the day or night, inside or outside the house, neither in sky nor on land nor in heaven, by any weapon, and by man, god, asura or animal. Therefore to kill this demon, Lord Vishnu took Narasimha avatar and killed the demon on his laps, thus countering each and every gifted power of the demon.
This pure wool stole from the Exotic India collection is the signature beauty of the orient woven into a length of sheer and set off by copper-brown bootis, embroidered in an ethnic design. Its color and style gives a versatile beauty essence on any outfit. Ari needlework is perfected over generations since the Mughal era by artisans forming fascinating floral motifs and other traditional designs. It is done on a stretched fabric using a pen-like needle and popularly a cotton thread for sewing the intrinsic designs. This shawl is woven on a wool fabric of light brown biscuit color with the large bootis covering the entire area in finite distances and an exclusive shape.
Zoom in to the picture to have a keen look at the thin triple layered border slightly above the shorter edge with its outer layer woven in stylized closely-knit floral designs. The traditional flower patterns of bootis makes us remember the heavenly beauty of Kashmir. Its intrinsic and superfine needle strokes enhance its charming shade and awe-struck style. The perfection of this stole confirms of it being handcrafted by the choicest artisans of Kashmir.
Beholder of beauty and serenity, Goddess Saraswati perches in her superb elegance on the sacred vahana, swan, who is flying towards extreme consciousness where mankind resides, with its large wings painted in superb striations. The painter has beautifully framed the painting in a background of setting sun forming a large aureole jetting out its visible rays of love, brightness, happiness and wisdom.
Goddess Saraswati is a member of the cosmic trinity and an embodiment of knowledge, wisdom, arts and sciences; garbed in bright colored silks of red and orange having white flower motifs and jewellery that embraces her as one of a kind. The crowned head in her lalitasana carries the famous musical instrument, Veena with the left hand in vitarka mudra and right holds the universal book of Vedas, therefore also known as Vedmata.
That expression of her eyes and those red lips are a gesture of calmness and honor. This free form design of this Batik painting is painted using wax-resist dye technique in an amalgamation of bright colors of red and orange along with the universal shades, black and white.
Lord Ganesha is a truly wonderful and loving god who has an extraordinary knack for unweaving complicated situations and making them simple. He can unweave his devotees from their karma, simplifying and purifying their lives. This sculpture of Ganesha is carved in all its accurate expressions and formations spreading vibes of spirituality and aesthetics. The sculptor has chosen for a dynamite aventurine jade gemstone, which is popularly used for making jewels and ornamental figurines. The combination of smooth green and brown colors decorated by shades of gold highlights the beauteous aspects of this Ganesha sculpture.
Jade is a name given to two kinds of mineral forms, Nephrite and Jadeite having a hard and compact structure and usually varies from light green to dark green with white markings. Ganesha sits here on a thick square pedestal carved in stylized patterns on the sides and back and two mice approaching the bowl of laddoos in the front. Chaturbhuja is sculpted in his usual posture with the reddish brown dhoti tied below his portly belly, decorated in gold dot motifs and red stone highlighted on the knees and a green dot motif stole hung across his shoulders. He carries a noose in each of his posterior hands and anterior hands are postured in abhaya mudra and the other holding motichoor laddoo respectively.
The gold jewels embellished on his body accentuate the beauty of his persona and his cosmic sense; the design of the long pendant that rests on his fat belly compliments with the large sun aureoled crown decorated in green and red stones and the sparkling gold striated flappy ears. This aventurine jade masterpiece is symbolic of purity, protection and unconditional love for the beloved Ganesha.
Kashmiri textile is the king of fashion industry; it can woo any person by its superfine handwork, colorful depictions, intricate designs and simplicity. Like the one shown here, spreads vibes of decency but still forms a royal and elegant attire. Woven in a colorful and thick floral hand embroidery, outlining the vast field from all directions, with designer yellow flowers crowded by green leaves and pinkish red stems. You may also notice that they being sewed on a creamy white background, is what makes it more stand out.
This long jacket provides you with the perfect warmth because of being a pure wool textile and indigenous beauty of Kashmir. This garment is a perfect wear for house parties, lunch or dinner gatherings and can be clubbed with blue or black denims, white or any other contrasting colored leggings or jeggings. It’s peaceful and soothing look is what makes it one of a kind.
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