Greenish Gold
Greenish Gold
Super Antique
Super Antique

32" Venugopal (Flute-toting Gopal) With The Majestic Crown In Brass | Handmade | Made In India

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$1230
$2050
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Greenish Gold
Greenish Gold
Super Antique
Super Antique
Color
Express Shipping
Quantity
Delivery Ships in 1-3 days
Item Code: ZDP79
Specifications:
Brass Statue
Weight: 30 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide

This brass masterpiece, 34" tall and 16" wide, represents Krishna as Venu Gopal, the enrapt flute player. Fine execution, sensitive treatment of subject, perfect anatomical balance and great emotionality impart to it unique artistic merit and worth. The statue is an excellent example of how a piece of jewellery may transform into a divine icon with dimensions of a human figure. Except for its size, by its precision, elegance and exceptional beauty, it could well be a pendant to a necklace. In it, the toughness of metal has been softened to yield the finest forms, minutest details, calligraphic contours, fluidity of lines, music's softness, and a song's lyricism. One of the most popular forms of Krishna is his Tribhanga, three-curved, posture, a deity-form, which the Banke Bihari temple at Vrindavana, one of the main shrines of Vaishnavism, enshrines. The image here moves to five directions, and has greater rhythm and magic for viewing eye. The face with crown tilts to left, the shoulder to right, the hip to left, the knee to right, and finally, the right foot to left. For this five-curved image of Krishna the Vaishnava iconography has no name. Brass statues are anodized for various colour effects but not so befittingly as here. Anodizing elevates here ordinary brass to Krishna's divine complexion.

This statue, an excellent work of metal-cast, represents Krishna as playing on his flute. He knows not when his legs moved to a dance mode and entire figure twisted to its notes, sending it into multi-curves. He is enraptured by the melody, which he himself is creating on his flute. Though this flute-playing form of Krishna is one of his most popular manifestations in his Lalita-rupa, it nonetheless reveals the pith of Vaishnava mysticism too. He, Who Himself is the Creator of Maya, the manifest world, is as much its slave. The divine ecstasy, which his flute effects, leaves the flute player transformed into a rhythmic trance. Now from his face and figure reveals the divine bliss and the unique bhava, in which blends contentment, rapture, and essence of music, dance and divine grace. The bhava also reveals in the entire cosmos, which his sash, flanking on sides, represents by its ecstatic curves.

Iconography, especially modeling of eyes, adornment and atmosphere that the artist created around the figure of Krishna in this statue, adhere to Orissa tradition of Vaishnava art. In Orissa, Krishna is not one of the incarnations of Vishnu but himself Vishnu or Jagannath. For emphasising this unity of Vishnu and Krishna, the artist conceived Krishna with the towering Vaishnava crown and tilaka. A couple of peacock feather surmounting it, however, turns it to Krishna-cult. In classical imagery, Vishnu is always conceived with a halo and lotus and Krishna very rarely. This image of Krishna has a halo behind its head. The halo comprises a ring of lotuses. Both lotuses and halo are elements of Vaishnava image. The artist, however, so shaped the halo and lotuses that they look more like a peacock feather rather than a halo and become part of Krishna.

The figure of Lord Krishna is placed on a high and elaborately rendered pitha, pedestal. Lotus leaf-like shaped octagonal pedestal comprises decorative friezes and lotuses. Lord Krishna is wearing khadayun, wooden slippers, and an exquisitely embellished lower garment. On his waist, he is wearing a broad girdle with beautiful bells frilling around. The drapery is heavily plated and large sash-ends flank most artistically on both sides. A dually stringed garland hung down the knees. He is adorned from toes to head with heavy ornaments  gold bangles, bracelets, armlets, brooches, necklaces, anklets and so on. From the crown burst out locks of hair, which on the right side are dressed in a small coiffure.

This description by Prof. P.C. Jain and Dr. Daljeet. Prof. Jain specializes on the aesthetics of literature and is the author of numerous books on Indian art and culture. Dr. Daljeet is the curator of the Miniature Painting Gallery, National Museum, New Delhi. They have both collaborated together on a number of books.


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The Divine Beauty: Exploring the Meaning and Symbolism Behind Krishna Statues

Lord Krishna is known by various other names such as Govinda, Gopala, Giridhari, Madanmohan, Radharaman, Maakhanchor, etc. The Vedic scriptures mention Him as the Supreme Lord, the cause of all causes, and the controller of living entities. In the Bhagavad Gita, Krishna Himself says that there is no Truth superior to Him and that in all the Vedas, He is to be known. Different people see Him differently. Some people see Him as their son, some as their friend, some as their master, and some as their beloved. He is the source of all pleasure and bliss. There are so many pastimes described in the Vedic literature where it is seen that whoever approached and served Lord Krishna with full faith and devotion, was never bewildered even in the greatest calamities, and was always protected by Him. Lord Krishna is therefore the ocean of mercy.

Lord Krishna expands Himself into different forms to fulfill a particular purpose in the material world. For example, to save His five-year-old devotee Prahlad from the ghastly attacks of his demoniac father Hiranyakashipu, the Lord assumed a special form of half-lion and half-man, Narasimha, and appeared from a stone pillar and killed the demon with His sharp nails. This shows an interesting quality of Lord Krishna. He is very possessive about His devotees. He never tolerates blasphemy against them. Those who try to harm them in any way, the Lord punishes them the hardest way.
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Is Krishna statue good at home?

If you want to please Lord Krishna with your service and devotion, keeping the deity of the Lord will be good for you. Wherever there is Krishna, there is opulence, victory, extraordinary power, and morality. Worshiping the deity is one of the easiest ways to build a strong relationship with the Lord. There is no difference between the deity of Krishna and Krishna Himself. The Lord said in the Bhagavad Gita that we can worship Him by offering Him a leaf, a flower, water, or a fruit. If the Lord is pleased, you will feel great satisfaction within your heart and you will experience transcendental bliss. Therefore, keeping the deity of Lord Krishna at home and following the necessary rules and regulations in the deity worship process is highly auspicious.
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Which Krishna statue can be kept at home?

There is nothing more sublime than serving the lotus feet of Lord Krishna for it is the very aim of human life. Therefore, you can worship any form of Lord Krishna as your heart desires. You can either keep the deity of the original two-handed form of Krishna playing His flute or the childhood form of Krishna eating butter. You may also keep the deity of Krishna along with Srimati Radharani, His internal potency. If you want to attract the causeless mercy of the Lord and engage in His offenseless service, worshiping the deity of Lord Jagannath, the most merciful form of Lord Krishna would be the best for you. Lord Jagannath does not take offenses of the devotees and only looks at their good qualities and intentions.
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How to keep a Brass statue well-maintained?


Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.

 

Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.

 

  • The best and simplest way to maintain a brass statue is to clean it at least twice a week using a soft cloth or cotton rag. This will prevent dust from accumulating on the surface. Dusting is especially important for outdoor statues since it is prone to dust accumulation much more than indoors.

 

 

  • To give a natural shine and luster to the statue, you may apply coconut or olive oil using cotton on every portion. You can use a toothbrush to get to the small crevices but do not be too harsh. This will make the brass statue appear fresh and new with a polished look.


  • In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth. 

 

Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity. 

Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I see the original photo of the product ?
    A. For original pictures of the statue, kindly email us at [email protected].
  • Q. Can I return the statue ?
    A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at [email protected].
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